PAUL McCARTNEY : Second night in Newark (Prudential Center, Sept 12 2017)

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Paul McCartney, Now 75 Going on 50, Wows Crowd with Beatles, Solo Hits in 3 Hour Show
by Roger Friedman
September 13, 2017



You do know that it isn’t 1964.  It’s 2017 and Paul McCartney is 75 years old but no one has told him. The once and former Beatle, the most successful songwriter in history, put on a three hour show last night at the Prudential Center in Newark. It was an uninterrupted three hour show. He didn’t even take a sip of water. He actually didn’t seem to perspire. He played 38 songs from the first ever Beatles song to a number he wrote for Rihanna last year.

Looking eons younger than 75, Sir Paul– clad in a white dress shirt, slim fitting jeans, his shaggy hair over his collar–led a four piece band on guitar and piano and simply defied gravity. It was his second show in Newark before heading to Madison Square Garden, the Barclays Center and Nassau Coliseum for six more shows. And if this was a “preview” night before opening in New York, I can only imagine what’s coming. God bless Paul McCartney.



The range of material is astounding, too, from the classic Beatles hits to the solo best sellers, there isn’t a clinker in the set. He does include two songs, “New” and “Queenie Eye” from his most recent album. They’re very good but even Paul knows the fans want they want. (He said so, ruefully.)

Otherwise, it was a repertoire of songs from a genius. Imagine if George Gershwin had lived long and went out occasionally to play his hits. That’s what this was like. From the first Beatles recording– “In Spite of All the Danger”– through classics like “Eleanor Rigby” and “Yesterday”— McCartney inhabits a rare place in Western Culture. He does tributes to John Lennon, George Harrison and George Martin, mentions “Maybe I’m Amazed” was written for his late and beloved wife Linda. He also plays the lovely song he wrote for current wife Nancy (“My Valentine”). All bases are covered.

At 75, he’s throwing in a bit of Hendrix, all of “Helter Skelter,” and rocking the roof off a 20,000 seat arena. There is nary a pause between guitar solo and piano lead. “Hey Jude” is one big party. “You Won’t See Me” is more contemporary sounding now than ever. “I’ve Just Seen a Face” solidifies the Everly Brothers.  During the majestic “Let it Be” I wondered what it must eb like to be 75 and still singing about your mother’s untimely death 60 years ago.

The voice remains. Sometimes it grows hoarse, and then it recovers. Even with infelicities it shines. Paul tells more stories now, about the early Beatles days, about John, about how they were really pals with Mick and Keith and even wrote the Stones’ first hit — “I Wanna Be Your Man”– which he then plays. (Ringo sang it originally, and performs it with his All Starr Band on the road.)

The Prudential Center is a little more intimate than Paul’s coming venues– I’m glad I saw him there. In 1976 I slept outside the then Capitol Center in Largo, Maryland to see his first American Wings tour. Forty one years have passed. So much has happened in our lives. And yet, Paul McCartney remains unchanged as an artist if not just better.  Don’t miss this tour. It probably won’t be the last. But see a an artist who’s still in his prime, whose prime never ends.







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Paul McCartney Unleashes Maccamania Live in New Jersey 
Rob Sheffield
September 13, 2017


Rob Sheffield reviews Paul McCartney's One on One tour during Newark, New Jersey concert on September 12th, 2017.

A sight nothing can prepare you for: Paul McCartney onstage, just the man and his guitar, doing "Blackbird" or "I've Got a Feeling" or "Here Today." Merely the greatest of rock & roll performers, in the middle of his usual marathon show. Last night he was in Newark, New Jersey, to kick off the first night of his eight-show New York City-area stand, and – as always – he held nothing back. He played nearly three hours, from the opening guitar crash of "A Hard Day's Night" to the piano ripples of "The End." There's something downright savage about how he works so much harder than he needs to, giving away so much more of himself than it would take to send everyone home happy. But that's why seeing McCartney is an exaltation unlike anything else in live music.

At 75, he refuses to coast – his enthusiasm and vigor and humor are slightly terrifying to behold. He's not just a master at the top of his game – he's on top of a game he invented half a century ago. Unlike peers like Springsteen or Dylan, McCartney doesn't tinker with the setlist from show to show, but what he shares is that mad determination to re-earn the legend every night from scratch. Last night he crashed through nearly 40 songs – Beatle hits, Wings deep cuts, oldies that remind him of absent friends, new tunes that remind him of here and now. The audience wasn't holding back either, representing Maccamaniacs from all different cultures and generations. The ladies a couple rows ahead of me held up a sign that said "Friends Since Shea" – I felt as awed in their presence as I did in McCartney's.

As always, he kept the show spare and efficient, with no show-biz glitz to get in the way of the songs – just his four long-running henchmen, who've played beside him since the early 2000s, taking their place in history as his second-greatest band. (The only dubious gimmick: way too much pyro exploding during "Live and Let Die," making you fearful for Paul's puffy shirt.) Surprisingly, he didn't dip deep into Sgt. Pepper – just "Mr. Kite" and the title-track's reprise – despite all the worldwide celebrations this summer over the album's fiftieth anniversary. "Fifty years – what's that about?" he quipped. "That was before my time." He began "I Wanna Be Your Man" with an anecdote about running into Mick Jagger and Keith Richards on Charing Cross Road, where he and John gave them this tune as the Stones' first hit. As Paul said, "The story went that we were rivals and we really hated each other – but that was just fake news."

Since he was in Newark on the sixteenth anniversary of 9/11, he dedicated the show to the victims. "We are against the oppression and prejudice and violence," he announced. "We are for love and friendship and freedom." At the end, he appeared onstage with a "9/11 Never Forgotten" banner, along with the Stars and Stripes, the Union Jack and a rainbow flag.

The show leaned surprisingly hard on the legacy of Wings – shaggy Seventies rockers like "Let Me Roll It" or "Letting Go" or (especially) "Hi, Hi, Hi" are the arena-crushers he designed them to be, back when he was conquering the American "long hair at Madison Square" audience. He did the 1980 synth-pop oddity "Temporary Secretary" ("We'd like to carry on now with a song that's got an electronic kind of thing"), which sat unnoticed on McCartney II for decades until hipsters discovered it. As a tribute to old friend Jimi Hendrix, he played an instrumental guitar jam on "Foxy Lady."

He also did newer gems like "Queenie Eye" – one of his finest solo tunes ever, goosing the ornate stoner majesty of Ram – despite joking that the audience only gets the phones out for Beatles hits: "It lights up like a galaxy. Then when we do a new one, it's a black hole." (For a moment, it sounded like he was dipping into Ram with the acoustic intro of "Too Many People," but it turned out to be a delightfully languid "You Won't See Me.") He did an excellent sing-along of his Kanye/Rihanna hit "4-5 Minutes," maybe not a career highlight for anyone involved – it's doubtful Ye or Ri are still singing it – but a song that sums up the essence of Paulness, the pride he takes in continually re-challenging himself to face up to the right-here-ness and right-now-ness of pop life.

In one of the highlights, he played "Love Me Do" in honor of the late George Martin, noting that it was Mr. Martin's idea for Paul to sing the hook in the studio. ("You can hear the terror in my voice.") He sat at the piano for a disarmingly emotive "Maybe I'm Amazed," with the discreet intro, "I wrote this one for Linda." He did "My Valentine" for his wife Nancy, who was in the house – "she's originally a Jersey girl" – and "Here Today" for John Lennon, calling it "a conversation we never got to have." "Something" became as beautiful tribute to George Harrison ("Let's hear it for Georgie!"), playing it on a ukelele his old mate gave him. That's a lot of history to drag around – moments like that remind you that part of the challenge for a veteran performer has to be living up to all those demanding memories, carrying the weight of so many dead friends. But like everything else Paul McCartney does onstage, he makes it seem like that's just part of the fire that keeps him burning brighter than anybody else.



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Prudential Center, Newark - NJ - Sep 12 2017