sábado, 3 de enero de 2026

Five songs by The Beatles that will be remembered in 100 years


faroutmagazine.co.uk

Five songs by The Beatles that will be remembered in the 2060s

Tim Coffman
FAR OUT MAGAZINE
Tue 30 December 2025

(Credits: Far Out / Apple Corps / Album Covers)

The impact of The Beatles’ music on popular culture is something that really needs to be studied to be understood.

No one quite knew what they were listening to when the Fab Four first started making their pop masterpieces, and there are subtle hints of what they did scattered throughout every generation that came afterwards. But when you look back on what they did in the 1960s, there are a few tunes that will still have the same impact if they were listened to in the 2060s.


The work of John Lennon and Paul McCartney was virtually flawless from the start, but if we’re talking about the moments that are bound to last for multiple lifetimes, it usually comes from their later years. The teenybopper phase of the band, as one of the greatest rock and roll acts ever, was bound to be fun, but there was a lot more for them to do once they embraced psychedelia and began using the studio as an instrument half the time.

Then again, it wouldn’t feel complete if we didn’t have songs from each respective songwriter in the group. While we will respectfully leave Ringo Starr absent from the writing side of things, Lennon, McCartney and George Harrison had tunes that introduced new ideas to the world, and their knack for turning the strangest ideas into hooks is something that most people are still trying to figure out.

So while many pop hopefuls might resort to cookie-cutter ways of making songs whenever they go into the studio, these Fab tracks are about more than writing a perfect melody. It’s about finding subtle layers in the production that are going to keep people coming back a century later and wonder how the hell mankind stumbled upon that kind of musical beauty.

Five Beatles songs that will be remembered in 100 years:


5
‘I Am The Walrus’


Throughout his career, John Lennon was always looking for sounds that felt a little out of place. He never wanted to be any ordinary pop songwriter, so the next best thing was trying to make songs that tested what audiences expected out of a standard rock and roll song. And while tunes like ‘Come Together’ and even ‘Help!’ were strange for the time, it’s impossible to put a finger on what ‘I Am the Walrus’ is from the moment it starts playing.

By psychedelic standards, this is the musical equivalent of falling down the rabbit hole in Alice in Wonderland, complete with some of the most incomprehensible lyrics that Lennon ever wrote. But the point wasn’t about making every line make sense. It was about the vibe of the music, and every single second of the tune is like getting a new musical treat, whether it’s the sweeping strings, the weird effect on Lennon’s voice, or the choir building to that rousing climax.

A lot of what turned up on the record wouldn’t be considered normal today, but it proved that The Beatles weren’t looking to fit into normal society. They wanted to challenge what a rock and roll song could be, and there’s hardly a second on the record that doesn’t feel like the most exciting fever dream anyone has ever gone on.



4
‘In My Life’


Just because John Lennon wanted things to sound weird didn’t mean he forgot how to make pop tunes. His favourite artists were the ones that kept people wanting to hear more every single time they sang, and when you listen to some of the Beatles’ finest moments, it often comes from him writing tunes that were on the same level as Paul McCartney’s whimsical ditties. But if you look at any of Macca’s best ballads, none of them can hold a candle to the honesty Lennon had on ‘In My Life’.

Although McCartney already had a few perfect songs in his arsenal, this was the first time the band started working on something more than the standard love song. Rubber Soul already marked their transition towards more adventurous songs, but with McCartney’s chords underneath, Lennon was able to tell the kind of story that everyone has to confront at some point: the passage of time. Nothing in the world is finite, so he figured that he would tell his other half how much he loved them when he had the chance.

This explains why the tune has become even more pertinent, especially as people get older. Not everyone may have picked up on every single detail of the lyrics here, but whether you’re singing along to it or reading deeper into the lyrics, ‘In My Life’ is the gift that keeps on giving, even for those who have become a bit more grey in the temples.




3
‘Here Comes the Sun’


George Harrison always seemed to get the short end of the stick whenever he worked on his own tunes. Anyone would have felt a little bit insecure when working opposite Lennon and McCartney, but the guitarist would always be working through his tunes and making sure that everything sounded perfect, even if his bandmates couldn’t care less. He didn’t need to rely on them by the end, and when working on Abbey Road, there was no one left to argue with him when he came up with ‘Here Comes the Sun’.

Whereas most of Harrison’s other songs have a lot of strange chords laced throughout the tune, there’s nothing that feels out of place throughout these few minutes of pop brilliance. The song could have easily been played on an acoustic guitar and still worked, but bringing in the primitive synthesiser sounds makes the whole tune feel like the sun hitting your face at the beginning of the day and melting away that early morning chill.

All Things Must Pass may have been around the corner for Harrison, but this was proof enough that he was going to be a songwriter to contend with. Lennon and McCartney may have had all the bases covered, but even with something as mundane as the sun coming up, Harrison could find the pure beauty that most songwriters may have taken for granted.



2
‘Yesterday’


Of all the Beatles, Paul McCartney seemed to be the pure embodiment of what music was supposed to be. Lennon would go off on his tangents here and there, and Harrison could hold his own in Eastern music, but there’s hardly anyone who knew the mechanics of a pop tune quite like Macca did. So, for all the countless tunes that he wrote in an attempt to make a hit, it’s almost ironic that his little slice of musical perfection is one that came to him when he wasn’t even trying to write.

Macca has said multiple times that ‘Yesterday’ came to him in a dream, but there had to be something more going on in his subconscious to make a tune like this. He had already grown up listening to some of the greatest jazz standards of the time, so having a song of his own with those complex chord changes was practically a godsend, even if it was a lot more melancholy than what McCartney usually comes up with.

Although the tune was a novelty whenever they played it live, the fact that they couldn’t figure out how to make it work in a live setting is really a testament to the song more than anything else. Of course, McCartney has the tune as a major part of his setlist to this day, but there’s something to be said about a track that’s so perfect that no one is able to properly do it justice outside the studio.



1
‘Strawberry Fields Forever’


It’s almost laughable today how much people thought The Beatles had dried up when they left the road. No other rock and roll band lasted as long as they did, and when they stopped playing, it would have been easy to assume that they would move on to get proper jobs. But when they walked back into the studio, the peak of their powers came the moment that John Lennon began strumming his acoustic guitar.

Although ‘Strawberry Fields Forever’ and ‘Penny Lane’ are often mentioned in tandem with one another, the former is definitely the more memorable composition. After getting immersed in the psychedelic sounds of the time, hearing them make strides like this wasn’t what anyone expected. They had made a song that existed in between standard musical keys, and from the strange Indian instruments to the orchestral backing, this was the first time the band created an entire world to play around in throughout the course of one track.

There isn’t any hierarchy over which of the songs on this list will last, but there’s no question that ‘Strawberry Fields Forever’ will still be blowing minds years into the future. It’s hard enough to comprehend someone had this kind of ingenuity almost 50 years ago, so bringing that to the pop charts back in 1967 would have been like watching someone bring a piece of musical magic onto the speakers.




BONUS :



martes, 30 de diciembre de 2025

Paul McCartney on Bonham, Moon and Ringo as drummers


rockandrollgarage.com

Paul McCartney on Bonham, Moon and Ringo as drummers

By Rafael Polcaro
Rock and Roll Garage
Published on 12/29/2025


Besides being one of the most successful and influential songwriters and bassists of all time, Paul McCartney plays many other instruments. 

He is also an excellent drummer and recorded the drum parts on many of his solo songs and with Wings over the decades.


Active in the music business since the early 1960s, McCartney had the opportunity to meet and work alongside some of the greatest drummers who ever lived, including, of course, Ringo Starr, as well as The Who’s Keith Moon and Led Zeppelin’s John Bonham. He has expressed particularly interesting views on each of them.

Paul McCartney on John Bonham, Keith Moon and Ringo Starr as drummers

Paul McCartney has already revealed that his top three favorite drummers are Ringo Starr, followed by John Bonham in second place and Keith Moon in third. He once explained why he believed they were so special and why Ringo was different from the others. “The best compliment I got from that was when I was out in L.A. in 1974 visiting John when he was doing his ‘Pussy Cats’ album with Nilsson. (…) But I remember Keith saying, ‘Say, who was that drummer on Band on the Run?’ (grinning). That was the biggest accolade I could get. I mean, my favorite drummers are Ringo, Bonham and Keith. Moony had more flash, and Bonham was a bit more flash, but Ringo is right down the center, never overplays.”



“We could never persuade Ringo to do a solo. The only thing we ever persuaded him to do was that rumble in ‘The End’ on Abbey Road. He said (sourly), ‘I hate solos.’ I agree with him. Those moments in a concert where everyone goes off for a drink. You’re left with this drummer going dabadubba dabadubba, with lights flashing, are a total yawn. A quarter-of-an hour later, the band return, out of their skulls (laughter) to play the last number. The poor drummer left sober as a judge,” Paul McCartney told Musician magazine in 1988.


Why Ringo Starr was so special according to Paul

As Paul said, Ringo was not a “flashy” drummer, which made a lot of people think of him as a player that wasn’t that good. However, he said that he was the perfect fit for The Beatles and called him a “powerhouse”.

“We just fell in love with Ringo’s drumming. Ringo was in another band and we used to go see this other band. We said: ‘God, that drummer is good’. One night, Pete (Best) couldn’t do it and Ringo sat in for him. We all just went: ‘Ooooh’, it was like ‘Oh my God! What is happening?”



“There is something funny going on’. Behind us was this powerhouse who was like taking care of the job. We went: ‘oh dear’. Even if you’re very ill, show up. Don’t let Ringo sit in for you,” (he joked) in an interview with Howard Stern. Ringo replaced Pete Best on drums in 1962 and was a fundamental part of the group’s sound.


Paul McCartney agreed that John Bonham’s drums sounded like cannons

John Bonham and Paul McCartney were friends and had the chance to record together. He played in the demo “Beware My Love” (1975) and in two tracks of the 1979 album “Back To The Egg”, that are called “Rockestra Theme” and “So Glad To See You Here”. McCartney thought he was a really powerful drummer and agreed that his drums sounded like cannons sometimes.



“John Bonham was a good friend of mine and I was a great admirer of his. I really liked the power of John. I remember (someone) asking him once ‘How do you want your tom-toms to sound?’ He said: ‘Like cannons!’ That is true. If you listen to something like ‘Kashmir’. There’s a power and he was a very powerful guy,” Paul McCartney said in an interview (Transcribed by Rock and Roll Garage). The Beatle also said over the years that it was fantastic to play with Bonzo, that he was a great friend and a “ballsy drummer”.



Curiously, when asked by the Brazilian newspaper Estadão in 2019 to list the lineup of a dream band, his choice for the drums was Bonham. Besides the studio work, Bonham had the chance to perform live with Paul in 1979 at the Hammersmith Odeon in London. Also were part of that show were Pete Townshend and John Paul Jones.

Keith Moon asked Paul McCartney to join The Beatles

Keith Moon and Paul McCartney were also close friends and had the chance to spend time together on several occasions. In fact, McCartney was one of the last people to see The Who drummer alive. The Beatle organized a party on September 6, 1978, to celebrate what would have been Buddy Holly’s 42nd birthday. At the time, he had bought Holly’s publishing rights and had produced the biopic “The Buddy Holly Story”. Moon attended the celebration with his girlfriend and was found dead the next day at the age of 32.



Curiously, although Moon and Ringo Starr were very good friends, according to The Who’s biographer Mark Blake in the book “Pretend You’re in a War”, Moon asked McCartney to join The Beatles in 1966. His relationship with his bandmates at the time was not good, but he later heard from Paul that they were “not looking for a drummer”. Thirty years later, Ringo’s son, Zak Starkey, would become The Who’s drummer.


lunes, 29 de diciembre de 2025

The Beatles song that saw John Lennon and Paul McCartney pay tribute to their heroes


faroutmagazine.co.uk

The Beatles song that saw John Lennon and Paul McCartney pay tribute to their heroes

Ben Forrest
Sun 28 December 2025

(Credits: Far Out / Eric Koch for Anefo)


The Beatles went against the grain of popular music in a multitude of ways, and while many of their contemporaries were trying their darndest to hide the influences they were lifting their sound from, the Fab Four always wore their inspiration on their sleeve, paying open tribute to the artists that first inspired them.

Motown master Smokey Robinson once claimed that The Beatles were “the first really popular white band who came right out and said, ‘We grew up and were very influenced by black music.’” On the face of it, every rock and roll musician was indebted to ‘black music’, given the roots of the genre within the world of blues, but it is true that the Merseyside mop tops were among the first to advertise that fact. 




Throughout their revolutionary tenure, in fact, The Beatles never made any effort to conceal the source of their musical inspiration. Whether it was their various covers of Chuck Berry, Little Richard or, indeed, Smokey Robinson, or the multitude of references and knowing nods they weaved into their songwriting, there was never any doubt over what the band’s listening habits consisted of. 

Even as the band progressed, transforming from the fresh-faced teeny-boppers of their early years to the moustached psychedelic experimenters of the Sgt. Pepper era, the group never lost sight of the pioneering outfits who first inspired them all those years ago. On their final record, Let It Be, in fact, the band paid faithful homage to one of their earliest inspirations, The Everly Brothers.

While nobody, in their right mind, could listen to ‘Tomorrow Never Knows’ and claim that it sounds just like ‘Wake Up Little Susie’, the influence of Don and Phil is pretty undeniable when you revisit some of the Fab Four’s earliest efforts.

“You look at anyone’s career and there was always someone influential in the beginning,” McCartney once recalled in the anniversary edition of Let It Be. “I was Elvis. I was Little Richard. George was Carl Perkins, John was Gene Vincent and Chuck Berry. We all had our alter egos, and we each had a few of them. And we were The Everly Brothers.”

When it came time to record Let It Be, then, the band decided to pay homage to that rock and roll fraternity on McCartney’s track ‘Two of Us’. Lyrically, the song is a fairly run-of-the-mill McCartney love song, dedicated to Linda Eastman, whom he would marry only a few months after the song was recorded. Sonically, though, the song was indebted to the iconic harmonies of the Everly Brothers.




At one point in the song, in fact, McCartney tells Lennon to “Take it Phil,” identifying his songwriting partner as being the Phil to his Don – even if that line is sometimes wrongly thought to reference the song’s now-disgraced producer, Phil Spector.

‘Two of Us’ certainly isn’t the only example of The Beatles referencing their musical inspirations within their own discography, but it is telling of just how enduring the influence of The Everly Brothers was on the band that they would maintain their appreciation for the duo from the earliest origins of the band right up until their final album.



sábado, 27 de diciembre de 2025

Paul McCartney tops 'Billboard' Boxscore, plus The Beatles drop new holiday yule log


digital.abcaudio.com

Paul McCartney tops 'Billboard' Boxscore, plus The Beatles drop new holiday yule log

by Jill Lances 
ABC AUDIO DIGITAL SYNDICATION
Tuesday, December 23, 2025

Sir Paul McCartney performs at The O2 Arena during his 'Got Back' world tour on December 18, 2024 in London, England. (Photo by Jim Dyson/Getty Images)

Paul McCartney has landed on top the Billboard Boxscore for November thanks to his Got Back tour.

The Beatles legend tops the chart after bringing in $51.7 million from sales of 150,000 tickets for 11 shows. The latest leg of the tour kicked off Sept. 29 in Palm Desert, California, and wrapped Nov. 25 in Chicago.


This is the second time McCartney’s Got Back tour earned him the #1 spot on the list. The tour previously topped the Billboard Boxscore in May of 2022.

McCartney’s Got Back tour, which initially launched in April of 2022 and has included shows in 2023, 2024 and 2025, has brought $410.7 million overall, with 2.4 million tickets sold.




In other news ... The Beatles are helping fans get in the Christmas spirit with the YouTube release of The Beatles Holiday Yule Log (Merry Crimble) featuring classic Beatles tracks. The video features an image of roaring fire, with Christmas stockings hung on the mantel for McCartney, George Harrison, John Lennon and Ringo Starr. There’s also a turntable with pictures of the band members and presents wrapped in Beatles wrapping paper.

According to the description, “this video is made to be left on all holiday long, whether you are relaxing, seeing friends and family, or simply letting it play in the background while you do nothing at all.”


Copyright © 2025, ABC Audio. All rights reserved.

viernes, 26 de diciembre de 2025

Paul McCartney Addresses 'Wonderful Christmastime' Encouraging Witchcraft: 'I Am the Head Wizard'




people.com

Paul McCartney Addresses 'Wonderful Christmastime' Encouraging Witchcraft: 'I Am the Head Wizard'
McCartney's Christmas classic was released in 1979

By Ilana Kaplan
Staff Editor at PEOPLE
December 24, 2025




NEED TO KNOW

  • Paul McCartney reflected on "Wonderful Christmastime" encouraging witchcraft
  • "I like the idea of Christmas songs purely because they only come around at Christmas!" the Beatles vocalist writes in a "Vevo Footnotes" video
  • "Wonderful Christmastime" was released in 1979


Paul McCartney is reflecting on his most festive hit.

In a "Vevo Footnotes" video shared on Thursday, Dec. 18, the Beatles vocalist reflected on the online "theory" that the video for his 1979 Christmas classic "Wonderful Christmastime" encourages witchcraft.

"There is a theory online that the song is about people practicing witchcraft, getting found out and trying to cover it up," McCartney, 83, writes. "Thank goodness they found me out. This is completely true and in actual fact."

He continues, "I am the head wizard of a Liverpool coven. Either that...or it's complete nonsense."

McCartney then adds that "you know it's the latter."

Paul McCartney in the "Wonderful Christmastime" music video in 1979.
Credit : Paul McCartney/YouTube

Per a 2022 interview he did with PaulMcCartney.com, he clarified that the lyrics were "the mood is right" and not "the moon is right," which fans may have misheard.

"The thing is about this stuff, it’s so easy to convince half the people in the world. You do have to be a little bit careful!" he said at the time.

In the Vevo Footnotes video, McCartney reveals he was trying to showcase the excitement of the holiday season.

"When I was writing 'Wonderful Christmastime' I was trying to capture that party aspect," he writes of the video. “I’m thinking about Liverpool Christmas parties, that’s really all I’m doing with that song."

Adds McCartney, "‘The mood is right, let’s raise a glass, the spirit’s up’ — you know, all the stuff you do at Christmas. Particularly with my old Liverpool family parties.”

Paul McCartney in the "Wonderful Christmastime" music video in 1979.
Credit : Paul McCartney/YouTube

Directed by Russell Mulcahy and filmed at the Fountain Inn in West Sussex and The Hippodrome Theatre in Eastbourne, the music video features members of McCartney's band Wings.

In the video, McCartney also addresses how popular the track has become over the years.

“Sometimes people will go into a shop and hear the song a little too much, but I don’t care!” he writes. “I’m happy!”




In December 2024, the music legend surprised fans with a rare performance of "Wonderful Christmastime" in Manchester, England, featuring backing vocals from children who attend the You Should Be Dancing Theatre Academy.

According to Rolling Stone, McCartney has only performed "Wonderful Christmastime" live roughly a dozen times throughout his career.




Prior to his 2024 performance of the track, the last time McCartney had played it was during a trio of concerts in England in December 2018.

He also previously joined in a rendition of the song alongside Jimmy Fallon and the cast of Sing during a 2016 episode of The Tonight Show.




BONUS :



martes, 23 de diciembre de 2025

He Photographed Paul McCartney – and Upset the Beatle


beatlesblogger.com

He Photographed Paul McCartney – and Upset the Beatle

by BeatlesBlogger
Posted on December 19, 2025


When you see an iconic image like this one it is often fascinating to hear the backstory as to how it came about.

Photographer Chris Floyd has a fantastic tale to tell about working with Paul McCartney and the process of capturing an image of him for the ages:




If Floyd’s photographs looks familiar, that’s because another from that same shoot eventually made it’s way (some 12 years later via Paul’s own company MPL) onto the cover of Paul Du Noyer’s 2015 book, Conversations With McCartney:


As well as the YouTube above, Chris Floyd has written in detail about the session too, both in his book Not Just Pictures, and also at his substack.com page. His article there is well worth a read. It’s got some great additional information and images, plus two very surprising postscripts which add delightful new elements to the tale!




lunes, 22 de diciembre de 2025

‘A Song Reborn’ – A New Beatle “Making Of” Film




beatlesblogger.com

‘A Song Reborn’ – A New Beatle “Making Of” Film

by BeatlesBlogger
Posted on December 19, 2025


The Beatles have released a new short film on the “making of” their Anthology song, ‘Free As A Bird’:




A Song Reborn is directed by Oliver Murray, who did a similar thing in 2023 for ‘Now And Then’:




Murray also compiled the trailer for The Beatles Anthology 2025 now on Disney+:




And he wrote and directed the new 50 minute Episode 9 of the Disney+ series, so Apple is obviously sending quite a bit of work his way. Hopefully soon we’ll get the Oliver Murray take on the making of ‘Real Love’, with even more previously unseen footage?