viernes, 31 de enero de 2020

C/O Berlin to Present Linda McCartney . The Polaroid Diaries















www.PaulMcCartney.com

JAN
31
2020

C/O Berlin to Present Linda McCartney . The Polaroid Diaries

C/O Berlin to Present Linda McCartney . The Polaroid Diaries
 “She'd always just be looking for everyday moments that interested her rather than manicured scenes. She wanted real moments.” Mary McCartney 
The exhibition at C/O Berlin from 7th March to 6th June 2020 will present over 250 of Linda’s Polaroids and a selection of vintage prints taken from her archive with many of the Polaroids dating back to the 1970s when instant photography was a new innovation, an innovation Linda was keen to test the boundaries of. The Polaroids on display are an intimate collection and insight into Linda’s memories and visual eye with each image unique to a specific moment in time and space. Linda McCartney . The Polaroid Diaries – exemplifies her gift for capturing the moment and is published by Taschen.
The singular magic that imbues Linda’s work lies in her masterful use of a photographic technique that renounces the photographic negative as a means of reproduction and relies on the uniqueness of a one-of-a-kind positive: the Polaroid—irreproducible, uncorrectable, always live.
The exhibition has been developed in cooperation with the Linda McCartney Archive. The opening will take place on Friday 6th March 2020, 7pm at C/O Berlin in the Amerika Haus at Hardenbergstraße 22–24, 10623 Berlin.
Linda McCartney . The Polaroid Diaries
7th March 2020 – 6th June 2020













miércoles, 29 de enero de 2020

Why the Beatles Didn’t Want to Release ‘Revolution 1’ as a Single
















www.cheatsheet.com
Why the Beatles Didn’t Want to Release ‘Revolution 1’ as a Single
Eric Schaal
January 28, 2020




If you were looking for a political statement from The Beatles, you didn’t hear anything in the band’s early years all the way through 1967. After returning from their ’68 trip to India, John Lennon planned to change that.
The first time the Fab Four got together in the studio, the band ran through John’s new song, which he’d called “Revolution.” After Beatles fans had digested “Hello, Goodbye” and “Lady Madonna,” the song John proposed as the next single was going to be different.
“I wanted to put out what I felt about revolution,” he told Rolling Stone in 1971. “I thought it was time we f–king spoke about it, the same as I thought it was about time we stopped not answering about the Vietnam war.”
With Beatles manager Brian Epstein gone, John thought it was time for the Fab Four to grow up and make a statement. However, Paul McCartney and George Harrison had other ideas about diving into political matters.

Paul and George argued ‘Revolution 1’ was too slow for a single



Paul McCartney and John Lennon of The Beatles visit ‘The Tonight Show’ with guest host Joe Garagiola on May 15, 1968. | NBCU Photo Bank


When John got started, he didn’t need to number the song titled “Revolution.” Only one existed, and it didn’t change until his bandmates made clear they didn’t want to make the track the next Fab Four A-side.
Yet instead of confronting John about the message of the song (or lack thereof), Paul and George argued the song wasn’t commercial enough. (They pointed to its slow tempo.) “George and Paul were resentful and said it wasn’t fast enough,” John said in 1980.





But John cared little about the hit-making potential of his song. “If you go into the details of what a hit record is and isn’t, maybe,” he said. “But the Beatles could have afforded to put out a slow, understandable version of ‘Revolution’ as a single, whether it was a gold record or a wooden record.”
Determined to get his message across, John cranked up the amps for the distorted, heavy version eventually called “Revolution.” However, the band kept that version on the B-side of their next single, “Hey Jude.” The slow one became “Revolution 1.”

John’s fast version of ‘Revolution’ caused controversy, anyway



Beatles John Lennon (left) and Paul McCartney face the press in May 1968. | Bettmann


Though The Beatles hoped to hide “Revolution” somewhat on the B-side, that didn’t work in the summer of ’68. John’s declaration to “count me out” struck many as a weak statement from such a powerful figure. And the Fab Four felt something of a backlash.
Ironically, the original version (“Revolution 1”) sounded stronger, with John saying “count me out, in.” (He couldn’t say one way or the other. He wanted “to see the plan” first.) “I don’t fancy a violent revolution happening all over,” he explained to Rolling Stone in ’71.
Of course, with “Hey Jude” dominating the charts from August ’68 on, The Beatles didn’t come close to being “canceled.” When The White Album followed in November, more success followed. John still found ways to agitate folks; he just didn’t get to do it on that particular A-side.

martes, 28 de enero de 2020

New Beatles Movie Aims to ‘Bust the Myth’ of ‘Let It Be’ Sessions
















ultimateclassicrock.com
New Beatles Movie Aims to ‘Bust the Myth’ of ‘Let It Be’ Sessions
DAVE LIFTON
January 28, 2020


Hulton Archive, Getty Images

Director Peter Jackson previewed a few minutes of his upcoming documentary based on the Beatles' Let It Be movie over the weekend.
Variety reports the screening took place at Universal Music's annual showcase that coincides with the Grammy Awards. Jeff Jones of Apple Records said because of the perception that the 1970 movie was a depressing look at the Beatles coming apart, Jackson was brought in to digitally clean up old footage, removing what reporter Jem Aswad described as the "murky, shadowy atmosphere" of the original. It's a process similar to what the director did when colorizing the World War I footage in They Shall Not Grow Old.
“We have created a brand new film that will attempt to bust the myth that the Let It Be sessions were the final nail in the Beatles’ coffin,” Jones said.
According to Aswad, Jackson succeeded based on what was shown. "An amazing counter-narrative to [the] Let It Be film has ensued," he wrote. "It’s brighter both visually and spiritually, with many, many shots of the Beatles joking around, making fun of each other, singing in silly accents and generally indulging in vintage mop-top hijinks. It also features many scenes of the group rehearsing songs from the Abbey Road album — their true swan song, which would be recorded over the following summer — and even rough versions of songs that would appear on solo records. On the basis of this clip, Beatles fans will lose their minds over this film."
Jackson's film was announced almost exactly one year ago, saying he was given access to 55 hours of video and 140 hours of audio in order to create the "ultimate ‘fly on the wall’ experience" about the sessions. He called it an "amazing historical treasure trove. Sure, there’s moments of drama – but none of the discord this project has long been associated with." He added that the material was "funny, uplifting and surprisingly intimate."
While the title and release date of Jackson's project haven't been announced yet, it's believed it will be called Get Back -- the album's original title -- and coming out in October, based on an pre-order listing for a companion book that showed up on Amazon earlier this month.

Image result for beatles let it be







domingo, 26 de enero de 2020

The Fab Four didn’t always play to packed-out halls on trip to north east Scotland
















www.pressandjournal.co.uk
The Fab Four didn’t always play to packed-out halls on trip to north east Scotland
by Neil Drysdale
January 24, 2020

The Beatles
The Beatles

They developed into the Fab Four; the most famous group in pop music history.

But were you aware that John Lennon, Paul McCartney and George Harrison – minus Ringo Starr – once toured the north east of Scotland as a backing group and were called The Silver Beetles?
Or that, during their visit, McCartney was known as Paul Ramon and Lennon had the words Long John appended to his name?
This was long before the days of the Fab Four, George Martin, and Sergeant Pepper, as the Liverpool group took the world by storm.
Instead, in the spring of 1960, the three youngsters backed singer Johnny Gentle on a series of gigs in Inverness, Fraserburgh, Keith, Forres, Nairn and Peterhead.
The gigs were staged at such venues as the Northern Meeting Ballroom in Inverness, Dalrymple Hall in Fraserburgh and The Rescue Hall in Peterhead, between May 20 and May 28. Some of the concerts were well-attended, but others attracted barely any audience at all.
And Lennon and McCartney returned home to Liverpool after losing money on the trip.

Image result for beatles spring 1960 johnny gentle

Author and music historian Richard Houghton revealed: “They were known as the Silver Beetles at the time and they didn’t have their own drummer.
“John, Paul and George were joined by Stuart Sutcliffe, who subsequently went to Hamburg with them, and Tommy Moore, who was a fork-lift truck driver and a lot older than the rest of the boys.
“The tour had been arranged by Larry Parnes, who was the Simon Cowell of his day, and they secured the gig after passing an audition against competition which included Gerry and the Pacemakers.
“They received a fee of £60 for performing seven shows in eight days and they also had to pay for their own accommodation on their travels.
“But, despite that, it was an important next step up on the ladder.”
After the Peterhead concert, McCartney recalled: “I think there are a few posters of us with the double ‘e’, but we soon dropped the ‘Silver’ because we didn’t really want it.”
A few months later, their name became simply The Beatles.
And the rest, as they say, is history.






viernes, 24 de enero de 2020

We shan’t spoil the best part of this text-based Paul McCartney game, but know this: It rules













news.avclub.com
We shan’t spoil the best part of this text-based Paul McCartney game, but know this: It rules
Allison Shoemaker
The AV Club
Jan 23 2020

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Screenshot: The Paul McCartney Simulator


There are plenty of little tiny moments of delight in The Paul McCartney Simulator, an itch.io text-based adventure game from Brooklyn comedian Ramsey Ess. But the best is one that’s such a fun, weird, perfect, and oddly relatable surprise that we’re loathe to spoil it. Perhaps you should go play it and then we can get down to business. But first, some details:
The premise of The Paul McCartney simulator is straightforward enough. You are Paul McCartney, sometimes known as Macca, a singer/songwriter and multi-instrumentalist who was for some 11 years the frontperson for a band called Wings, and before that was one of four strikingly coiffed young men in an outfit called The Beatles (not a typo). You can choose to enter your life in one of three years: in 1968, as you and your fellow Beatles are attempting to recordthe eventual theme song to the 1989-1193 ABC television show Life Goes On; 1973, which finds you onstage with the rest of the Wings band, including your wife Linda; or 2018, in which you’re somehow doing Carpool KaraokeYou make decisions, have things added to or removed from your inventory, and occasionally jump around in time.
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Screenshot: The Paul McCartney Simulator


Playing through the whole thing doesn’t take long, unless you make the same wrong choices over and over again. The surprise we’re talking about takes place in the 2018 segment (although there are fun weird twists in the other two as well). You can start with whichever year you like, but this writer went chronologically, and it looks like you can’t get to the surprise part of the thing unless you’ve worked through 1968 and 1973 properly first. Go and do that, and we’ll put a song by that nice McCartney fellow here to block you from seeing what’s below. Scroll down when you’re ready.





Ready? Here goes:

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Screenshot: The Paul McCartney Simulator

Perfect. There are lots of wonderful little digs throughout this section, but that first glimpse is what truly won us over. Well done, Mr. Ess, and thank you for reminding us that when you’ve got a job to do, you’ve got to do it well, you’ve got to give the other fella hell. Especially if that fella is James Corden.


martes, 21 de enero de 2020

Paul McCartney Breaks Silence On ‘Young Girl’ Accusation

















 
www.alternativenation.net
Paul McCartney Breaks Silence On ‘Young Girl’ Accusation
By Mike Mazzarone
Jan 20, 2020




Paul McCartney has shared his late wife Linda McCartney’s official music videos to watch on her official YouTube channel. These videos are for songs that were released on the re-release of Wide Prairie – the posthumous 1998 compilation of Linda McCartney recordings which was the only album to be released under the Linda McCartney name, and in celebration of the Linda McCartney Retrospective making its UK debut at Kelvingrove Art Gallery and Museum in Glasgow. You can view the channel HERE.

Here Paul McCartney discusses one of Linda’s most esteemed songs: ‘Nightfish’. Paul exclaimed: “Recorded with Wings up at the old Air London Studios, Linda’s dramatic vocal harks back to the Fifties and Sixties when strange stories were told by acts like The Shangri-Las, The Coasters, and others. It was made into an excellent animated film by Ian Emes which was later objected to by some lady writing to a newspaper to complain about the nudity and its effect on her 5-year-old child. A female figure is seen naked, yes, but come on! – it’s only a harmless drawing, the likes of which have been on view in museums around the world for centuries.” – Paul




In other news regarding Linda and Paul McCartney, fans recently took to the Beatles subreddit to discuss the reasoning behind Linda McCartney joining McCartney’s highly successful group – Wings. UpDoor kicked things off by asking: “What do you think of the speculation that Linda joined Wings and brought the kids on tour to keep an eye on Paul and keep him away from cheating? I’ve seen some comments saying that because Linda wasn’t a ‘real’ musician – she hadn’t sung, played keyboard, etc before (I’ve even seen someone say she brought nothing to the band, which I disagree with) – that one of the factors of her joining Wings and bringing the kids on tour with them was to keep Paul from cheating.”


The user continued: “Paul wasn’t 100% faithful initially in their relationship (maybe google Paul’s Black and White Minstrel Show) and some people guess that Linda wanted to ‘keep an eye on him’, especially since they had a family by then. Do you think there’s any truth to this speculation?”
While Tplgigo responded: “Linda was his rock and got him off the “sauce’ post Beatles break up and he wanted her involved in every step of the process in a post Beatles career taking the time to teach her keyboards and sing background stuff. Touring became a natural step in the process. While not the intention of “keeping him in line”, the result was her very presence kept him on the straight and narrow. She knew best how to deal with his ego.”










www.PaulMcCartney.com


JAN
15
2020

Linda McCartney's Music Videos Now On YouTube

Linda McCartney's Music Videos Now On YouTube
In celebration of the Linda McCartney Retrospective making its UK debut at Kelvingrove Art Gallery and Museum in Glasgow and the re-release of Wide Prairie - the posthumous 1998 compilation of Linda McCartney recordings and notably, the only album to be released solely under her name - Linda's official music videos are now available to watch on her official YouTube channel. From award-winning animations to more serious themes of animal rights issues, Linda’s music videos are an eclectic and perceptive insight into her musical life from the early 1970s through to the late 1990s. Read Paul's track-by-track stories about the songs and watch the videos below.
'Seaside Woman'

“[This] was the first song Linda wrote. Her delight in being exposed to the Caribbean lifestyle inspired this beautiful response. The song was made by Linda and Oscar Grillo into an animated short which went on to win the Cannes Film Festival’s prestigious Palme d’Or.” - Paul
'Oriental Nightfish'

“Recorded with Wings up at the old Air London Studios, Linda’s dramatic vocal harks back to the Fifties and Sixties when strange stories were told by acts like The Shangri-Las, The Coasters, and others. It was made into an excellent animated film by Ian Emes which was later objected to by some lady writing to a newspaper to complain about the nudity and its effect on her 5-year-old child. A female figure is seen naked, yes, but come on! – it’s only a harmless drawing, the likes of which have been on view in museums around the world for centuries.” – Paul
'Wide Prairie'

“I have always thought of this song as Linda’s fantasy. Her passion for horses and riding started as a young girl and remained with her all her life. Her tongue in cheek attitude and what we called her ‘twangy’ voice combined to make this joyful little rocker. She recorded it during sessions at EMI Studios in Paris where years before I had done the vocal for ‘Can’t Buy Me Love’. We travelled there shortly after Princess Anne’s first wedding in Westminster Abbey, taking the group van with other band members who at that time included Jimmy McCulloch and Denny Laine. As you can probably hear, we had a ball.” - Paul
'The Light Comes From Within'

“If ‘I Got Up’ showed Linda’s strong opposition to oppression, then 'The Light' took it a few steps further. During the last couple of years of her life, we were required to make many trips “up to London” for one treatment or another. We always tried to put the journey time to good use. She and I talked a lot about this album, and the lyrics to this song were finished during one such trip. When we came to record the vocals, which was sadly to be her last, I said half-jokingly, “You can’t sing this”. She looked at me with a sparkle in her eye and said: “You wanna bet?” It was her answer to all the people who had ever put her down and that whole dumb male chauvinist attitude that to her had caused so much harm in our society. God bless her... my little baby literally had the last word. She also loved the idea of our son James playing the guitar on it.” - Paul
 'The White Coated Man'

“Linda’s and my involvement with animal rights caused her and our friend Carla Lane to come up with ‘The White Coated Man’. Carla’s poignant lyric explores the vivisection issue. Linda felt deeply about the suffering of innocent animals for mankind’s gain, which still continues to this day and will until we as a society show compassion towards the creatures we share our planet with.” – Paul


jueves, 16 de enero de 2020

Peter Asher brings his stories of Paul McCartney and the Beatles





















  



www.chicagotribune.com
Musician/producer Peter Asher brings his stories of Paul McCartney and the Beatles to Naperville
By DAVID SHAROS
NAPERVILLE SUN
JAN 16, 2020

Singer, manager, producer and Grammy Award-winner Peter Asher promoted his new book, "The Beatles from A to Zed," during a Wednesday appearance attended by more than 100 people at Anderson's Bookshop in Naperville.
Singer, manager, producer and Grammy Award-winner Peter Asher promoted his new book, "The Beatles from A to Zed," during a Wednesday appearance attended by more than 100 people at Anderson's Bookshop in Naperville. (David Sharos / Naperville Sun)

It was a walk down memory lane for many who came out Wednesday night to meet 1960s musician Peter Asher of Peter and Gordon fame, a close friend of Paul McCartney who was promoting his new book, “The Beatles from A to Zed," at Anderson’s Bookshop in Naperville.
Asher’s band found success with such songs as “A World Without Love” and “I Go to Pieces,” but his career went far beyond that, with stints as the head of A&R for Apple Records, manager of 1970s recording stars James Taylor and Linda Ronstadt, recipient of Grammy Awards as producer of the year and host of a SiriusXM radio show on the Beatles Channel.
Speaking before his appearance, 75-year-old Asher said his book offers an insider’s perspective on the Beatles stemming from his long relationship with the group and, particularly, Paul McCartney, who lived on lived on the upper floors of Asher’s family home in London, dated Asher’s sister, Jane, and gave him songs he’d written for Peter and Gordon to record.
“The radio show led to the book. The publisher Henry Holt was pursuing me, gratifyingly, and I just figured it was somebody wanting me to write my autobiography, which I’m not doing," Asher said.

"When they explained the radio show I was doing based on the alphabet would make a good book, I thought, ‘Well, that sounds quite easy. I’ll just write what I said on the radio.’ When you do that, you realize it needs a gigantic rewrite and you really do have to write a bloody book. It took about a year.”


Producer and Grammy Award-winner Peter Asher talks about the Beatles, who were such close friends in the 1960s that they gave his group, Peter and Gordon, songs to record and chose him to be their A&R man for Apple Records. He was at Anderson's Bookshop Wednesday to sign copies of his new book, "The Beatles from A to Zed."
Producer and Grammy Award-winner Peter Asher talks about the Beatles, who were such close friends in the 1960s that they gave his group, Peter and Gordon, songs to record and chose him to be their A&R man for Apple Records. He was at Anderson's Bookshop Wednesday to sign copies of his new book, "The Beatles from A to Zed." (David Sharos / Naperville Sun)

Asher said he doesn’t think “there are any new facts or revelations" in the book but his reflections cement what he and others know about the Beatles.
“I think the more time goes by you realize this is music that will live forever," he said. "It was the perfect storm in so many respects. My biggest takeaway was how good they were. The more you watched them work, (the more you saw) how good they were together.”
Asher also spoke about his own success being part of a duo.
“The sound of two voices together has always been great. That’s your basic harmony singing and it’s a particular art,” he said. “As good or fun as it might be singing on your own, singing with another person is still the basis of duos and even a lot of bands. John and Paul were a duo essentially. Three-part harmony is lovely but it’s less universally applicable.”
Asher did a lot of production work for other acts as well.

“Working with them was all different — Cher was completely different from Diana Ross — but I do treasure the records I made with Linda (Ronstadt) because I think she’s one of the finest singers in the world,” he said.

More than 100 fans wait inside Anderson's Bookshop Wednesday night to see Peter Asher, who once lived with Paul McCartney and produced many top pop artists including James Taylor, Linda Ronstadt, and Neil Diamond. He was also one half of the 1960s recording duo Peter and Gordon.
More than 100 fans wait inside Anderson's Bookshop Wednesday night to see Peter Asher, who once lived with Paul McCartney and produced many top pop artists including James Taylor, Linda Ronstadt, and Neil Diamond. He was also one half of the 1960s recording duo Peter and Gordon. (David Sharos / Naperville Sun)

The crowd of more than 100 at Anderson’s was predominantly Beatles fans interested in hearing more about the band.
“I heard about this (event) on the radio and I have always been a big fan,” Vicki Vetang, of Geneva, said. “To me, their music and that of others like the Rolling Stones is timeless.”
“It was not just the music — they got their message out,” Vetang’s husband, Tim, added. “It was the love generation. I remember buying my first Beatles’ record at the grocery checkout line.”
Julie Denham, of Marengo said she knew of Asher from the albums he produced with James Taylor but found his Beatles stories “fun.”

“I saw Peter (in Chicago) and when I saw he was coming, I wanted to be here,” she said. “The Beatles are forever so why not try and find out more?”
Naperville resident Chuck Rehor accompanied his 15-year-old son, Charlie, who said he loves researching rock history.
“I started reading about all this classic rock stuff at an early age and I feel Peter is amazing and one of the unsung heroes in the industry,” Charlie Rehor said.


Robbie Grabowski, 11, of Naperville, was one of the few young Beatles fans to attend a book signing Wednesday by producer and pop singer Peter Asher at Anderson's Bookshop in Naperville.
Robbie Grabowski, 11, of Naperville, was one of the few young Beatles fans to attend a book signing Wednesday by producer and pop singer Peter Asher at Anderson's Bookshop in Naperville. (David Sharos / Naperville Sun)

“I’ve got three books that I bought for myself, my son and my brother, and we’ve seen so many of the people Peter produced in concert,” Chuck Rehor said. “Peter made stuff happen, he put people together.”
Another young fan was Robbie Grabowski, 11, of Naperville, who sported a Beatles’ jacket and T-shirt for the event.


“I listen to the Beatles’ Channel and two years ago I saw Paul McCartney. Since then, I was hooked,” Robbie said. “In 2018, I was dressed as John Lennon for Halloween and I got extra candy.”
David Sharos is a freelance reporter for the Naperville Sun.







www.dailyherald.com
Ahead of Naperville appearance, Peter Asher shares his long and winding road with The Beatles
Katlyn Smith
Tuesday 01/14/2020

John Lennon, George Harrison, Peter Asher and George Martin in Studio Two at EMI Studios. Asher is coming to Naperville Wednesday night to talk about his new book, "The Beatles From A to Zed: An Alphabetical Mystery Tour."
John Lennon, George Harrison, Peter Asher and George Martin in Studio Two at EMI Studios. Asher is coming to Naperville Wednesday night to talk about his new book, "The Beatles From A to Zed: An Alphabetical Mystery Tour."Courtesy of Keith Putney Productions

Peter Asher always was the exception to a hard-and-fast rule: If you spent any time with The Beatles, you had to write a book.
Groupies, roadies, nearly everyone associated with the band has written about the Fab Four.  
Asher is just as much a Beatles insider, with an overlapping career that has taken him here, there and everywhere. He had hit records in the 1960s as half of the pop duo Peter and Gordon. He lived with Paul McCartney in the early days when Paul was dating Asher's sister and helped start Apple Records.
But Asher shied away from book offers until a publisher approached him with an idea inspired by his weekly hosting gig on the Beatles channel for SiriusXM radio.
The result is Asher's "The Beatles From A to Zed: An Alphabetical Mystery Tour." It isn't a memoir, but a guide using letters of the alphabet as jumping-off points into the Beatles universe.
Imagen
"I'm writing about music as much as I am, or more in fact, than I am about people and places and things, and I enjoy that," Asher said.


On Wednesday, he'll be in Naperville to talk about the book at 7 p.m. at Anderson's Bookshop. Before the visit, Asher spoke with the Daily Herald about his memories of John, Paul, George and Ringo.
Q: What was Beatlemania like from your perspective?
A: Peter and Gordon certainly experienced a mini version of it as we all did because, particularly in America, the British Invasion became sort of conflated as one big thing. I think in reality it was 90% the Beatles and 10% the rest of us put together in the sense that the Beatles opened the door -- not to diminish the contribution of terrific bands like The Kinks and the Stones and the genuinely important bands of the British Invasion.
Q: You got to know McCartney through your sister, Jane, an actress and his muse. He spent so much time at your parents' house, they let him use the guest room for a couple of years as his London residence. How did your parents deal with fans?
A: There was a time that the fan buildup outside the house got a bit much, and my father, who's a brilliant and quite eccentric man, enjoyed the challenge of finding a way for Paul to get out of the house ... And there was a way over two roofs and out through a neighbor's house who collaborated in the scheme.

Q: You co-owned the Indica art gallery where John Lennon and Yoko Ono met in 1966. Do you get blamed for that from Beatles fans?
A: I do get blamed. We're on the road now doing shows, and a couple of nights in Cleveland, when I told that story ... somebody in the audience did in fact yell out, "It's you! You broke up the Beatles!" I had to explain that I politely rejected that theory.
Q: At Apple Records, the label founded by the Beatles, you discovered James Taylor and signed him to his first record deal. What was it like for him to meet the band?
A. He played me his tape, and I went crazy and told him how wonderful I thought it was and explained that I got this new job as head of A & R for Apple and I could sign people and "would you like a record deal?" And he said, "Yes please, I'd love one," and I didn't really think through how odd it must be because there were probably a lot of Americans jumping on planes, going, "I'm going to go to London and meet The Beatles." Oh sure you are.
In James' case, that wasn't even the reason for the trip, but within days I had him in the office meeting them and playing a couple of songs for George and Paul, I think.
In the song, 'Carolina In My Mind,' there's a reference to a "a holy host of others standin' around me," and that is a reference to The Beatles.
Q: Taylor wrote "Something in the Way She Moves." George Harrison's "Something" has the same line. Was Taylor bothered by that?
A: Obviously, there's a point where you may initially kind of go, "Oh look, he stole a bit of a song." But he certainly wasn't upset and, in a way, was flattered that George had fallen in love with the song enough that the lyric stuck in George's head.
Q: As a producer and manager, what were your fondest memories when you were trying to find the right arrangement, and you nailed it?
A: I think those moments would actually be sort of the hits. "You're No Good" with Linda Ronstadt, when Andrew Gold, who was a genius musician, and I came up with the final arrangement idea for that song. We felt very good about it ..."Fire and Rain," another hit, same thing.
We were working on the drum fills with Russ Kunkel, which he worked out at my house. We played them with brushes partly because it would be too loud with sticks. It would have gotten in the way of the fact that we were rehearsing with just a piano and neighbors and all that.
And the brushes sounded so good, we tried it in the studio, and other than the brilliance of the song, and James' singing of course, I think those drum fills are one of the things that make that particular arrangement so clever.
Q: An enduring Beatles question: What's going on in "Norwegian Wood?"
A: The end of the song is arson. I keep getting people going, "No, no he's just going to light a fire in the fireplace or have a cigarette or smoke a joint" or all kinds of explanations. No. The idea is that he's (angry) and he's going to set fire to this woman's house.
"Norwegian Wood," Paul says, is a reference to paneling I put in my bedroom, but I can't remember putting up paneling. I did put some shelves up that were sort of white pine ... It's a John song mostly, anyway, but I think Paul contributed the wood factor and John probably contributed the arson.
Q: What were their personalities really like?
A: The cliché Beatles descriptions, of course, like all cliches, are based in reality. Paul is the friendly, diplomatic one. George was the quiet one. John didn't brook disagreement. Ringo was the one everyone's kids and mothers loved and was the funniest.
... The Beatles, through some magical confluence of circumstances, like the perfect storm, formed a group with personalities that provide someone for everybody to be in love with, and everybody was.
If you go

What: Peter Asher, a British guitarist, manager, record producer, and one half of the pop duo Peter and Gordon, promotes his book, "The Beatles From A to Zed: An Alphabetical Mystery Tour"

When: 7 p.m. Wednesday

Where: Anderson's Bookshop, 123 W. Jefferson Ave., Naperville

Cost: Free admission, but book purchase required to enter the book-signing line.

Info: (630) 355-2665 or andersonsbookshop.com