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Why George Harrison Wouldn't Join a Band With Paul McCartney Post-Beatles
Eric Schaal
August 10, 2019
After The Beatles broke officially broke up in April 1970, it didn’t seem like a reunion was in the cards anytime soon. In 1971, Paul McCartney and John Lennon took swipes at each other in song, with John taking things to another level on “How Do You Sleep?”
A year later, Ringo joined the party by taking shots at Paul’s solo work and calling his old bandmate “meathead” on the single “Back Off Boogaloo.” As for George Harrison, he didn’t enter the fray directly but played guitar on John and Ringo’s tracks that took aim at Paul.
By 1973, the four former Beatles seemed fine with one another. John and George both worked on “I’m the Greatest” for Ringo’s eponymous solo record. George enjoyed the experience so much he talked to John about starting a new band together. (John declined.)
The following year, John and Paul played in the studio together and came to an understanding. At that point, a reunion actually seemed possible. The thing was, George wasn’t interested in playing with Paul.
George didn’t love Paul’s approach to the bass.
Linda McCartney (1941-98) and husband Paul McCartney of Wings pose in 1973.| Michael Putland/Getty Images
In 1974, George decided to take his act on the road, and he really tried to make it about everything but The Beatles. For starters, he had Ravi Shankar and his Indian orchestra opening for him. But he went further than that.
When George played songs from the Fab Four catalog at his shows, he changed the lyrics of the famous tunes. During his cover of “In My Life,” he sang “I love God more” (rather than “you more”) in the chorus. And his guitar now “smiled” instead gently weeping like it used to.
At press conferences on the tour, he fielded the usual Beatles questions but began to resent the theme. Once, he said he didn’t think the Fab Four was all that great, anyhow. “I think they’re fine, you know,” he said. But he made clear that Paul was the one he didn’t want to play with.
“Paul is a fine bass player, but he’s a bit overpowering at times. To tell the truth, I’d join a band with John Lennon any day, but I couldn’t join a band with Paul McCartney. It’s nothing personal; it’s just from a musical point of view.”
George said if fans wanted to live in the past, they could see Wings.
THE DICK CAVETT SHOW – George Harrison visits on November 23, 1971. | Walt Disney Television via Getty Images
As members of the press continued asking why he disavowed his Beatles past on his ’74 tour, George became combative. “Why do they want to see if there is a Beatle George? I don’t say I’m Beatle George,” he said. But he had an idea where they could find it.
“Gandhi says create and preserve the image of your choice,” he answered one query at a press conference. “The image of my choice is not Beatle George. If they want to do that, they can go and see Wings.”
George’s insistence on evolving served him well in solo career. On top of his back-to-back No. 1 albums, he was the last of the old Fab Four to notch a No. 1 single. That came in 1988, with his cover of “Got My Mind Set on You.” John was gone by then, but Paul has been around all this time.
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Paul McCartney Ridiculous George Harrison Disrespect Revealed
By Brett Buchanan
Aug 11, 2019
The Beatles icons Paul McCartney and George Harrison were good friends when Harrison tragically died 18 years ago, but tensions were running high in the later years of The Beatles.
George Harrison stated in the past that his issues with Paul hit a breaking point around Sgt. Pepper’s Lonely Hearts Club Band.
“Paul wasn’t open to anyone else’s suggestions,” George said inThe Beatles Anthology. “It was taken to the most ridiculous situations, where I’d open my guitar case and go to get my guitar out and he’d say, ‘No, no we’re not doing that yet. We’re gonna do a piano track with Ringo, and then we’ll do that later.’”
Harrison said things were much better in the early years, “There used to be situation where we’d go in, pick up our guitars, all learn the tune and chords and start talking about arrangements. [But] the freedom to be able to play as a musician was … curtailed, mainly by Paul.”
The Beatles engineer Geoff Emerick recalled tension with McCartney and Harrison in Here, There and Everywhere. He said when the band were recording Abbey Road, Harrison was writing his best songs yet, but McCartney still tried to rule over his material with suggestions.
“No, I think the song is fine as it is,” George answered Paul’s suggestion for “Here Comes the Sun.” After that didn’t end it, George broke it down for his longtime bandmate: “Look, I don’t have to listen to you,” he said.
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