viernes, 11 de septiembre de 2026

4 Cool Songs Members of The Beatles Wrote for Ringo Starr’s ‘Ringo’ Album




americansongwriter.com

4 Cool Songs Members of The Beatles Wrote for Ringo Starr’s ‘Ringo’ Album

By Jim Beviglia
American Songwriter
September 5, 2026



The four men who comprised The Beatles weren’t agreeing on a lot circa 1973. But John Lennon, Paul McCartney, and George Harrison all stepped up and helped out Ringo Starr on his 1973 album Ringo.

Each of them wrote at least one song for the project. Here’s a look back at four of those songs that helped to make the Ringo album so special.




“I’m The Greatest”


When you talk about near-Beatles reunions, “I’m The Greatest” is way up there. Not only did John Lennon write the song, but he also sang backing vocals. Meanwhile, Starr is on drums, and George Harrison plays guitar. Meanwhile, a pair of Beatle buddies, Billy Preston and Klaus Voorman, contribute organ and bass, respectively. Lennon wrote the song as a possible vehicle for himself. Reviving it for the Ringo album, he realized that the boastful lyrics would provide clever contrast for the self-deprecating Starr. There are plenty of meta references going on in the song, with references to Billy Shears, “boogaloo,” and Starr once being part of “the greatest show on Earth”.

“Six O’Clock”


Paul McCartney steered clear of the “I’m The Greatest” session, preventing a total Beatle reunion on the song. But he made his presence felt on Ringo just the same. That’s Paul mimicking the sound of a kazoo during the solo on “You’re Sixteen”, Starr’s hit cover of the early rock song. And McCartney and wife Linda also contributed the melancholy, melodic “Six O’Clock” to the proceedings. Keen listeners could probably spot that this was a Macca song without needing the credits. The ups and downs of the tune are right in keeping with his balladic work. He and Linda also add some backing vocals to the track, while Ringo does a nice job inhabiting the sad sack protagonist.

“You And Me (Babe)”


George Harrison was the most involved of the three ex-Beatles who helped out on Ringo. In addition to this track and the one still to come on the list, Harrison wrote the countryish “Sunshine Life For Me (Sail Away Raymond)” for the project. Mal Evans, another longtime Beatle associate, nabbed a co-writing credit on “You And Me (Babe)”, which rounds out the album. The lyrics, which Evans began, cleverly work in a couple of ways. You can hear them as a stoic sendoff to a former lover. Or you can imagine them being a message from a touring band to their fans on their way out of one city. Ringo’s thank-yous at the end of it lean into the latter interpretation.

“Photograph”


Starr doesn’t get enough credit for writing some very good songs in his heyday. That’s partly due to the fact that he often struggled to finish the process. When that was the case, he often turned to Harrison, who ended up with co-writing credits on many of Ringo’s biggest hits. In the case of “Photograph”, it started when Harrison taught the drummer Starr a new chord to add to his rudimentary guitar skills. Give credit to producer Richard Perry, who lacquered the track with Wall of Sound-style production, right down to the castanets. Bobby Keys’ saxophone adds to the effect. And Starr delivers one of his finest vocals on this massive hit filled with bittersweet regret.






miércoles, 9 de septiembre de 2026

Beatles biographer Hunter Davies: ‘I think Yoko was in love with Paul first’

Paul McCartney and Yoko Ono embrace, following his "letter" to welcome John Lennon into the Rock and Roll Hall of Fame, 1994


www.telegraph.co.uk

Beatles biographer Hunter Davies: ‘I think Yoko was in love with Paul first’
From holidays in Portugal to walks around Primrose Hill, the 90-year-old knows better than anyone what it was like to hang out with the band

Julia Llewellyn Smith
The Telegraph
Published 08 September 2026

Get Back: The Boys Who Became the Beatles is Hunter Davies’s fifth book on the Fab Four 
Credit: Andrew Crowley for The Telegraph

Hunter Davies, veteran author and journalist, holds up a pair of navy-and-white swimming trunks that he has pulled out of a plastic bag he keeps in a packed cabinet. “They’re Paul’s,” he says. He means Paul McCartney. “He and Linda stayed with us in Portugal in 1968, and he left his cossie behind. I wrote to him, ‘You idiot! Do you want me to post it?’ He said, ‘Just bin it.’” Davies did not. “When he dies, I’m going to get the DNA out of there and clone little McCartneys.”

Davies is 90 years old. Few living people know better what it was like to hang out with the Beatles – whose surviving members, McCartney and Ringo Starr, are now 84 and 86 respectively. Davies works for four hours every day, including Sundays, and boasts teasingly that he currently has three books on the go.

Davies (pictured in 1987) inadvertently became the group’s only authorised biographer 
Credit: Radio Times/Jeremy Grayson

Sixty years ago, he was working for The Sunday Times when he suggested to McCartney – whom he’d previously interviewed – that the biggest band in the world needed a proper biography. “So that when people asked why ‘Beatles’ was spelt that funny way, or why they had that funny haircut, they could say it was all in the book.”

Two years later, the band split up. Davies estimates that around 3,000 Beatles books have subsequently been published. Having spent two years with McCartney, Starr, John Lennon and George Harrison one on one, in the studio and with their families, he had inadvertently become the group’s only authorised biographer.

“When I finished the book, I thought, ‘In 10 years, they’ll be forgotten. In 10 years, somebody will sell more records’ – which Michael Jackson did. But nobody else has come close to the Beatles in influence, or the creativity of their lyrics and music.”

In 1970, however, Lennon told Rolling Stone that Davies’s biography was “a whitewash”. Davies is still wounded by the memory. “That’s an awful story. I rang John up. He said, ‘You know me, Hunt – I say anything that comes into my head. All I was meaning – you didn’t have all the sex. We had orgies, groupies queueing up.’”

Davies shrugs. “I had put in the drugs, and the swearing, but I didn’t put the sex in because they all had wives or regular girlfriends, and I saw no need to embarrass them.” Would he include it today? “Oh, yeah!”

‘Nobody else has come close to the Beatles in influence’: Davies pictured in 1976 
Credit: Evening Standard/Hulton Archive/Getty Images/Robin Jones

He also didn’t touch on the homosexuality of the Beatles’ manager, Brian Epstein. “Brian was a lovely man. He went to the Cavern [Club, in Liverpool, where the Beatles were spotted] because he liked rough trade – blokes who weren’t gay.” Epstein died of an overdose in 1966. Many feel that, for too long, he was written out of the band’s story. “The sadness was, by the time he died, they were like children who’d grown up, and he was the old parent they’d moved away from.”

Davies had a ringside seat to Lennon and McCartney’s notoriously complex relationship. “They loved each other, but they really were competitive. Each one wanted the other’s appreciation.

“I remember when Paul and I came back from a walk in Primrose Hill. Paul played the basic tune of It’s Getting Better, which he’d just written while I was with him. I can still see John’s face, National Health specs on, absolutely blank, betraying no emotion. Paul was waiting for him to say, ‘That’s great.’

‘They loved each other, but they really were competitive,’ says Davies of McCartney and Lennon, pictured in 1964 
Credit: GAB Archive/Redferns

“But he said, ‘That’s good. I’ll try to think of a second verse.’ And he came up with a very cruel one about beating his woman. That’s why it’s a brilliant song, because it turns dark. And that’s why they were the best combination.”

Davies has lost touch with Starr, who now lives in the US, but is still in contact with McCartney, who was always the one he liked best. There was only a temporary blip in their friendship after Linda’s death in 1998, when McCartney remarried model Heather Mills. The couple divorced acrimoniously in 2008, and last year, at a private party hosted by McCartney, Davies was introduced to his third wife, heiress and businesswoman Nancy Shevell. “She was dignified and quiet. And well-off.”

Fans frequently blame Yoko Ono, now 93, with whom Davies is also still in touch, for the band’s break-up. “Of course she wasn’t responsible,” he says with a faint eye roll. “They were so young – they wanted to go their separate ways. John was fed up. George was more interested in the sitar, in spiritual things, and always felt inferior because he was the youngest. Ringo was a bit bored. Paul was the only one who wanted to keep it together. They didn’t fall out. They were very intelligent, sensible people. They’d had their fun, and they wanted to do new things.”

Davies recently donated a priceless stash of handwritten lyrics, letters to and from the Beatles, and 39 notebooks of interviews with them, to the British Library (“next to Magna Carta and Shakespeare and Wordsworth”). Yet his Victorian home in Dartmouth Park, north London – today worth more than £3m (he and his late wife of 55 years, author Margaret Forster, bought it in 1963 for £5,000) – remains a Beatles treasure trove. Its walls are covered in black-and-white shots of the band: some are prints of portraits by Starr, while others were taken during their early days in Hamburg and bear personal inscriptions from the photographer Astrid Kirchherr (girlfriend of Stu Sutcliffe, the band’s original bass guitarist, who died of a brain injury at 21).

All the Beatles visited the Davies household at some point. When Starr came one day in 1968, he asked for vegetarian food. “Margaret did a very poncey Delia Smith aubergine dish,” Davies recalls. “Ringo went, ‘What’s this?’ By veggie, he meant beans on toast.”

Davies was married to writer Margaret Forster until her death in 2016 aged 77 
Credit: PA Wire/Hunter Davies

And scholars from all over the world trek to north London to quiz Davies, who’s now publishing his fifth book on the quartet, Get Back: The Boys Who Became the Beatles. Surprisingly, though, he has never met director Sam Mendes, who’s directing four films, one about each Beatle, set for simultaneous release in 2028. Do we really need four films about one band? “I can’t believe people will want to see all of them. But the farther away we get from the Beatles, the bigger they become. Until the last syllable of recorded time, someone will be humming a Beatles song.”

Get Back ends at the point when the Beatles release their first single, Love Me Do, in 1962 (a hefty epilogue recalls later incidents). Although Davies has told many of his Beatles stories before, it includes some biography offcuts, including Lennon’s childhood memory of his mother Julia, who’d left him to the care of his Aunt Mimi when he was an infant, then visited John with a bleeding face, allegedly inflicted by her then-boyfriend. Lennon recalled thinking: “‘F--- it. I must get away’… I went to the garden to hide my feelings.”

Get Back ends at the point when the Beatles release their first single, Love Me Do, in 1962 – pictured in Liverpool’s Cavern Club in the same year 
Credit: Getty Images/Michael Ochs Archives

Are there more revelations up Davies’s sleeve? He hints at one regarding Ono. “I believe she was in love with Paul first. But Yoko’s still alive, so I’ll say no more.”

Besides, Get Back isn’t just another Beatles tale: it’s also a social history of the Britain that shaped both the band and their biographer. Like the Beatles, Davies came from a working-class family. His father was an RAF clerk, his mother a housewife. Like Paul and George, he grew up in a council house: he in Carlisle, they in Liverpool, amid post-war rationing. “We all remembered never seeing a banana, and assuming eggs would come dried.”

All benefited from the new National Health Service, not just John for those specs, but also Ringo who, after developing peritonitis aged six, had spent a year at the Royal Liverpool Children’s Hospital. Davies, along with John, George and Paul, attended grammar school (where Lennon failed all his O-levels and was effectively expelled). Davies became one of only 4 per cent of the population to attend university, going to Durham, where he edited the student newspaper and subsequently made his way south to Fleet Street.

Seven decades on, Davies is “still surprised” by the middle-class lifestyle he enjoys. He has holiday homes in the Lake District and the Isle of Wight, and takes regular holidays in the Caribbean. In fact, he’s heading off shortly to Bequia, an island in the Grenadines, with his latest girlfriend, aged 80. “My children hate it,” he says unrepentantly, “when I talk about my sex life.”

Davies has holiday homes in the Lake District and the Isle of Wight, and takes regular holidays in the Caribbean 
Credit: Andrew Crowley for The Telegraph

Could he have attained this today, in a world where most grammar schools have been abolished and university education, though far more widely available, has a huge price tag attached? “I was lucky,” he says, “starting work in the 1960s. People like me got their chance. There was so much money, so many jobs, and old Etonians were prejudiced against in favour of people from my background.

“There’s no comparison with life and opportunities now. Obviously, there’s terrible poverty, and the haves are even have-ier than they used to be. But today, except in certain Jilly Cooper circles, people can rise regardless of their education and accent, and not be prejudiced against.”

Davies didn’t want to be known only as the “Beatles man”. He has written more than 100 books; his other projects have included ghost-writing the autobiographies of footballers Wayne Rooney and Paul Gascoigne, and writing The Glory Game (1972), a now-classic study of his favourite London football club, Tottenham Hotspur. “I spent a year in the Spurs dressing room. I heard the plates flying. You couldn’t do that today, because they’ve all got accountants, lawyers and PRs.”

The memory returns us to his two years with the Fab Four. “When Paul and John were having a row, I’d think, ‘Oh, God! What if they suddenly say, “What are you doing here? Get out!”‘ And I’d think, ‘Well, if that happens, I’m still so lucky to have had the experience.’”


Get Back: The Boys Who Became the Beatles (Ebury, £25) will be published on September 17

Paul and Linda with Hunter and wife Margaret Forster, Portugal, 1968.


lunes, 7 de septiembre de 2026

Brassic star spotted on set for BBC's "incredible" '60s-set Beatles drama

Hamburg Days will show the band's early years, when they included bassist Stuart Sutcliffe and drummer Pete Best in their line-up
Gordon Timpen/ Hamburg Films Ltd


www.digitalspy.com

Brassic star spotted on set for BBC's "incredible" '60s-set Beatles drama
Hamburg Days looks back at the band's early career.

By Stefania Sarrubba
Digital Spy
PUBLISHED: 01 SEPTEMBER 2026


Brassic star Ryan Sampson has been spotted on set for a new BBC series charting the early days of the Beatles as the band spent some time in Hamburg that would prove pivotal in their career.

Titled Hamburg Days, the series from developer Benjamin Benedict follows the Liverpool group as they interact with local artists, as told in musician and record producer Klaus Voorman's memoir, It Started in Hamburg.

In pictures obtained by Digital Spy, Sampson is in character as Allan Williams, the Beatles' first manager and booking agent. In one shot, the actor rocks a grey suit as he stands by the red and grey minivan that would bring the band to Hamburg, while other first-look pictures offer glimpses of the group as they ready for their German adventure.

Ryan Sampson filming Hamburg Days
MCPIX

Patrick Gilmore, Harvey Brett, Rhys Mannion, Louis Landau, Ellis Murphy filming Hamburg Days
MCPIX

With Voorman on board as a consultant, the series is co-written by Benedict and Succession's Jamie Carragher, while The Crown's Christian Schwochow is on showrunning duties and Oasis: Supersonic's Mat Whitecross sits in the director's chair.

Alongside Sampson, Hamburg Days stars Rhys Mannion as John Lennon, Harvey Brett as George Harrison, Ellis Murphy as Paul McCartney, as well as Patrick Gilmore and Louis Landau as the band's original drummer and bassist, Pete Best and Stuart Sutcliffe.


The pictures from set also includes a group snap of the band posing in front of the van, as well as a shot of Mannion and Darci Shaw as John and Cynthia Lennon.

Set in "the smoke-filled clubs of Hamburg's St. Pauli's red-light district", the show sees "an inexperienced young rock 'n' roll band from Liverpool collide with two young artists, Klaus Voormann and Astrid Kirchherr".

"Together they help spark a transformation that turns a scrappy group of teenagers into the greatest music phenomenon the world has ever known: The Beatles," the synopsis adds.

Rhys Mannion, Darci Shaw filming Hamburg Days
MCPIX

Harvey Brett, Rhys Mannion, Ellis Murphy filming Hamburg Days
MCPIX

Tash Major, Darci Shaw filming Hamburg Days
MCPIX

Ellis Murphy filming Hamburg Days
MCPIX

Hamburg Days set
MCPIX

Sue Deeks, the BBC's head of scripted pre-buy acquisitions, called Hamburg Days the "fascinating story" showing how, over two years, "a raw young band from Liverpool honed their music skills in Hamburg, before returning home to become an overnight worldwide success".

"It is an incredible story, accompanied (of course) by an amazing soundtrack!" she added.

Hamburg Days will air on BBC One and BBC iPlayer.

George Harrison and John Lennon perform with My Bonnie singer Tony Sheridan in Hamburg
Getty Image


sábado, 5 de septiembre de 2026

Ringo Starr Trains for Longevity, and His Approach Is Surprisingly Simple: ‘No One Can Do It for You’

Ringo Starr performing in Brisbane, Queensland, Australia, 2013.
© Bradley Kanaris/Getty Images


www.menshealth.com

At 86, Ringo Starr Trains for Longevity, and His Approach Is Surprisingly Simple: ‘No One Can Do It for You’
The Beatles drummer is training to stay fit for the stage

BY KATE NEUDECKER
Mens'Health
PUBLISHED: 04 SEPTEMBER 2026

KEVIN WINTER//GETTY IMAGES

At 86, Ringo Starr isn't showing any signs of slowing down. The Beatles drummer is still touring, taking his place behind the kit and, perhaps most importantly, still putting in the work in the gym.

Speaking in an interview with USA Today, Starr shared that he’s relied on consistent weekly training to stay fit while drumming on stage.

‘You know, there's no special way. It's just that no one can do it for you,’ Starr said. ‘You've got to get out of bed and do it.’

Ringo Starr's Workout Routine at 86

Starr explained that he continues to work with a personal trainer three times a week, but his training doesn't stop there. With a gym conveniently close at hand, he'll often add another one or two sessions by himself.

‘I have a trainer still three times a week,’ he said. ‘And the gym's just there. I go in on my own at least one day, usually two days, when she's not there.’ That means Starr can be training as many as five days a week, combining cardio with resistance training.

‘Just to get my heartbeat [up] and get on the treadmill, do a bit of running and weights,’ he explained. ‘I’ve been doing it so long, it's just like, “Oh, I'll go over to the gym.”’

At 86, Ringo Starr maintains weekly training sessions with a professional, as well as solo workouts, to stay ready to take the stage.

It's a routine Starr has followed consistently enough for exercise to become a natural part of his lifestyle. His advice for anyone hoping to follow suit? ‘Get in that gym, loosen up. You can blame me. “That Ringo made me come in here.”’

Starr's training appears to be doing the trick. With more shows scheduled, the drummer joked that he may even have the edge over fellow Beatle Paul McCartney when it comes to staying on the road the longest.

When asked whether there was a competition between the pair, Starr replied, ‘Well, it may look like that, but I'll be the longest.’ At 86, and with five gym sessions a week under his belt, his chances are looking good.





viernes, 4 de septiembre de 2026

Penny Lane John Lennon statue could fetch £100k at auction



www.bbc.com

John Lennon statue could fetch £100k at auction

BBC
3 Sept 2026

The life-size statue has stood outside St Barnabas Church on Penny Lane since August 2022
Laura Lian

A life-size statue of John Lennon displayed on Liverpool's Penny Lane could fetch up to £100,000 at auction.

The bronze sculpture, created by the late artist Laura Lian, has stood outside St Barnabas Church since August 2022. After it is sold it will be replaced by a replica.

Penny Lane was made famous by the Beatles' 1967 song of the same name.

Omega Auctions will offer the statue on 29 September, with an estimate of between £70,000 and £100,000.

Standing almost 6ft (1.8m) tall, the John Lennon Peace Statue depicts the musician leaning against a peace symbol bearing the word "Imagine".

It is cast in bronze with a green patina and mounted on a bronze and steel base.

John Lennon and Paul McCartney would often meet at the bus terminus near Penny Lane

Dan Muscatelli-Hampson, a director at Omega Auctions, said few modern landmarks associated with the Beatles in Liverpool had become "so instantly recognisable in such a short space of time".

"Thousands of Beatles fans from around the world have stood next to John and had their photograph taken with this statue on Penny Lane," he said.

The statue was installed with the support of the Penny Lane Development Trust, a community organisation based in the area.

Its original stay was intended to last six months, but it has remained at the site.

In December 2022, the sculpture was damaged and its bronze glasses were stolen.

The statue was previously displayed at Glastonbury, Liverpool's St George's Hall, London and Amsterdam.

The statue will be replaced by a replica, the auction house says
Geograph/Philip Halling

Lian, who died in 2024, said she created the work "to inspire the new generation and to reignite John and Yoko's peace mission".

Penny Lane was immortalised in the Beatles' 1967 single of the same name, released as a double A-side with Strawberry Fields Forever.

Liverpool-born Lennon was a founding member of the band, whose best-known line-up also included Sir Paul McCartney, George Harrison and Sir Ringo Starr.

He was shot dead in New York in 1980, aged 40.

Laura Lian : John Lennon Peace Sign





www.omegaauctions.co.uk

THE BEATLES COLLECTION

Tuesday 29th September


Lot 333 - LAURA LIAN (1952-2024) THE PENNY LANE JOHN LENNON 'PEACE' STATUE.

Estimate: £70,000 - £100,000

miércoles, 2 de septiembre de 2026

Beatles, Michael Jackson and Queen items to go under the hammer in £3m auction


www.independent.co.uk

Michael Jackson, Beatles and Queen items to go under the hammer in £3m auction
The auction will take place on October 1 and 2 with bidding available online and via telephone

Casey Cooper-Fiske
Independent
Wednesday 02 September 2026


Items linked to music legends such as Queen, The Beatles and Michael Jackson are set to go under the hammer in an auction with an estimated total value of £3 million.

The Propstore sale will feature 800 lots, including a black and gold military jacket worn in public by Jackson between 1994 and 1996, and a Pan American Airways menu autographed by all four members of The Beatles during their inaugural flight to the US.

THE BEATLES
John Lennon, Paul McCartney, George Harrison, and Ringo Starr-Autographed Framed Pan Am Menu From Their First Flight to the USA, 1964

Detailed with 24-carat gold braiding, the jacket worn by the “Thriller” singer is expected to fetch between £180,000 and £360,000, while the Beatles menu, dated 7 February 1964, is expected to make between £40,000 to £80,000.

Propstore's music specialist Mark Hochman looks at Michael Jackson´s black-and-gold military-style jacket (PA)

Additionally, the auction includes a stage-worn, embellished black wrap top and flared trousers belonging to Queen frontman Freddie Mercury from the Sheer Heart Attack tour, valued between £60,000 and £120,000.

QUEEN
Freddie Mercury’s Screen-And-Photo-Matched StageWorn Black Wrap-Around Embellished Top and Flared Trousers Worn During Sheer Heart Attack Tour

Noel Gallagher’s autographed Takamine FP460SC acoustic guitar, one of two identical guitars used during Oasis’s 1996 MTV Unplugged performance at London’s Royal Festival Hall as well as the (What’s the Story) Morning Glory? and Be Here Now tours will also go on sale.

The instrument, which comes with a stencilled Oasis case, is expected to make between £75,000 and £150,000.

Other items include a pair of John Lennon’s tinted glasses, expected to fetch between £100,000 and £200,000, and glasses worn by George Michael during the Faith tour, which are valued between £15,000 and £30,000.

JOHN LENNON
John Lennon's Tinted Prescription ''Lost Weekend'' Glasses

Sex Pistols guitarist Steve Jones’ Filthy Lucre Tour stage-worn Vivienne Westwood Kilt is also included in the auction along with a signed promotional photo of the band, with the pair expected to make between £5,000 and £10,000.

Mark Hochman holds a Vivienne Westwood kilt worn by Sex Pistols guitarist Steve Jones on the Filthy Lucre Tour (PA)

Mark Hochman, Propstore’s music specialist, said: “This auction brings together remarkable pieces connected to defining moments in music history.

“From Michael Jackson’s extensively documented military-style jacket and Noel Gallagher’s MTV Unplugged guitar to The Beatles’ signed Pan Am menu, each has an extraordinary story behind it.

“With over 800 lots also featuring memorabilia from Freddie Mercury, Britney Spears, George Michael and many more, Propstore’s auction offers something for music fans across generations and genres.”

The auction will take place on 1 and 2 October with bidding available online from the auction company’s website and via telephone, as well as absentee bids.

There will also be a special public free exhibition at The Cumberland Hotel in London from 24-27 September.


BEATLES, THE
Lot # 18. John Lennon, Paul McCartney, George Harrison, and Ringo Starr-Autographed Westminster Bank Cheques
Estimate: £14,000 - £28,000
Starting: £7,000


BEATLES, THE
Lot # 22. Framed John Lennon, Paul McCartney, George Harrison and Ringo Starr-Autographed Page and Muhammad Ali-Autographed Photograph
Estimate: £5,000 - £10,000
Starting: £2,500


BEATLES, THE
Lot # 23. John Lennon, Paul McCartney, George Harrison and Ringo Starr-Autographed Cigarette Packet, 1962
Estimate: £4,000 - £8,000
Starting: £2,000


BEATLES, THE
Lot # 31. John Lennon-Autographed In His Own Write, 1964
Estimate: £2,000 - £4,000
Starting: £1,000


JOHN LENNON
Lot # 32. John Lennon-Handwritten Letter to Apple Records Producer Al Steckler Regarding the Elephant's Memory Song "Liberation Special"
Estimate: £5,000 - £10,000
Starting: £2,500


JOHN LENNON
Lot # 34. John Lennon-Autographed The Bedsitting Room Programme
Estimate: £3,000 - £6,000
Starting: £1,500


BEATLES, THE
Lot # 38. Paul McCartney-Autographed "A Tribute to John Lennon" Ticket
Estimate: £800 - £1,600
Starting: £400


PAUL MCCARTNEY
Lot # 39. Paul McCartney-Autographed Press To Play UK LP
Estimate: £1,500 - £3,000
Starting: £750


GEORGE HARRISON
Lot # 44. George Harrison-Autographed First Edition Genesis Publications Limited Edition I Me Mine Book, 1980
Estimate: £3,000 - £6,000
Starting: £1,500


GEORGE HARRISON
Lot # 45. George Harrison-Autographed Gone Troppo LP, 1982
Estimate: £1,500 - £3,000
Starting: £750


BEATLES, THE
Lot # 411. Cavern Club Original Brick
Starting: £500
Estimate: £500 - £1,000

WINGS
Lot # 426. Paul McCartney, Denny Laine and Linda McCartney-Autographed Postcard
Starting: £500
Estimate: £500 - £1,000