martes, 22 de septiembre de 2026

Why John Lennon and Paul McCartney Disagreed Over ‘In My Life’

ultimateclassicrock.com

Why John Lennon and Paul McCartney Disagreed Over ‘In My Life’ From ‘Rubber Soul’

Allison Rapp
Ultimate Classic Rock
Published: September 21, 2026

William Vanderson, Fox Photos, Getty Images

There aren't that many accounts of John Lennon and Paul McCartney not agreeing on who wrote which parts of their songs. In fact, to a certain degree, it didn't matter — that's why the "Lennon-McCartney" songwriting name was established, since oftentimes it was hard to tell where one man's contribution ended and the other's began.

But for however synchronized Lennon and McCartney were, the reality is that two separate brains were at work when it came to their songwriting, and it did ultimately matter to each of them how those contributions were remembered.

"In My Life" from the Beatles' 1965 album Rubber Soul is a clear example of this.

John Lennon's Memory of How 'In My Life' Was Written

One thing Lennon and McCartney did not disagree on was that "In My Life" originated with Lennon.

"'In My Life' started out as a bus journey from my house on 250 [sic] Menlove Avenue to town, mentioning every place I could remember," Lennon recalled to David Sheff in 1980. "And it was ridiculous. This is before even 'Penny Lane' was written and I had Penny Lane, Strawberry Fields, Tram Sheds – Tram Sheds are the depot just outside of Penny Lane – and it was the most boring sort of 'What I Did On My Holidays Bus Trip' song and it wasn't working at all. I cannot do this! I cannot do this! But then I laid back and these lyrics started coming to me about the places I remember."

It was then that McCartney came into the picture, as far as Lennon remembered it in a 1970 interview with Rolling Stone: "I think on 'Norwegian Wood' and 'In My Life' Paul helped with the middle eight, to give credit where it's due."


A decade later, Lennon doubled down on this memory when speaking with Sheff:

"Paul helped with the middle eight musically," he confirmed again. "But all lyrics written, signed, sealed and delivered. And it was, I think, my first real major piece of work. Up till then it had all been sort of glib and throwaway. And that was the first time I consciously put my literary part of myself into the lyric. Inspired by Kenneth Allsop, the British journalist, and Bob Dylan."

Paul McCartney's Memory of How 'In My Life' Was Written

McCartney's memory of the song's writing was a bit different.

"As I recall, he didn't have a tune to it, and my recollection, I think, is at variance with John's," he said for Many Years From Now. "I said, 'Well, you haven't got a tune, let me just go and work on it.' And I went down to the half-landing, where John had a Mellotron, and I sat there and put together a tune based in my mind on Smokey Robinson and the Miracles…

"I recall writing the whole melody. And it actually does sound very like me, if you analyse it. I was obviously working to lyrics. The melody's structure is very me. So my recollection is saying to John, 'Just go and have a cup of tea or something. Let me be with this for 10 minutes on my own and I'll do it.'"

Listen to the Beatles' 'In My Life'


McCartney recalled Lennon approving his melody and things progressing from there – more verses, etc.

In the studio, producer George Martin added his own flair by playing a little piano trick.

"There's a bit where John couldn't decide what to do in the middle," Martin recalled in Anthology, "and, while they were having their tea break, I put down a baroque piano solo which John didn't hear until he came back. What I wanted was too intricate for me to do live, so I did it with a half-speed piano, then sped it up, and he liked it."

In short: McCartney's memory saw him with more influence over the song's music, while Lennon's insists it was only the middle eight section that came into play, the rest was all his. There is, of course, no way to know which is right for certain, and it's possible that both men's recollection was not fully correct.

But remarkably, "In My Life" was one of just two instances in which Lennon and McCartney's memory appeared to significantly differ, at least according to McCartney's later memory and other research into Lennon's post-Beatles interviews. Not bad for a partnership that collaborated on a couple hundred songs.

Or as McCartney said: "I find it very gratifying that out of everything we wrote, we only appear to disagree over two songs."



domingo, 20 de septiembre de 2026

Ringo Starr makes heartbreaking Beatles reunion admission decades after John Lennon, George Harrison’s deaths




pagesix.com

Ringo Starr makes heartbreaking Beatles reunion admission decades after John Lennon, George Harrison’s deaths

By Nicki Gostin
Page Six
Published Sep. 19, 2026




Ringo Starr believes The Beatles would have reunited to make more music had John Lennon and George Harrison not died.

“I do think we possibly would have got together sometime from, you know, John leaving us to now, if we were all still around, you know,” the drummer told Page Six in a recent exclusive interview. “And George, you know, I miss George.”

Lennon died in 1980 at age 40, when he was shot by a crazed fan outside his apartment in New York City. Harrison died of cancer in 2001, when he was 58.

Ringo Starr, seen here in June, spoke to Page Six about what he’s doing now and, of course, The Beatles.
Getty Images

Starr said he believes The Beatles would have reunited to record new music had John Lennnon and George Harrison not died.
Bettmann Archive

Starr shared that the thing he misses most about being a Beatle is “the friendship, the togetherness, the support of each other. I’m an only child. I had three brothers. And you know, brothers up rows and you know little get-togethers, and then little get-aparts. And for me, it was great. And musically it was dynamite, which it still is out there. You know, the chance to play that. Right. And you know, it’s all happened in eight years.”

Starr is still in close contact with the last surviving Beatle, Paul McCartney.

They speak, “a couple of times a month…If he’s in England, we go to visit England, mainly to visit family, (if) we know, we’ll have dinner or we’ll go around and hang, so yeah, a couple of times a month.”

Starr said he misses the camaraderie of being in the band, photographed here in 1963.
Getty Images

He and Paul McCartney, photographed in 2024, are still good pals.
Dave Benett/Getty Images for Stella McCartney

The “Photograph” singer added that he’s on McCartney’s last record and McCartneys been on a lot of his. He’d come over with his bass and play over the years — “we’re still pals,” he said.

Not that The Beatles are really ever out of the public imagination, but this year there has been even more interest with the news that Sam Mendes is working on four biographical films based on each member, with Harris Dickinson playing Lennon, Paul Mescal playing Paul McCartney, Joseph Quinn playing Harrison and Barry Keoghan playing Starr. All four films will be released simultaneously in 2028.

“I think it’s amazing, actually,” Starr enthused. “The difficulty was he’s putting this story with that story. And Paul and I have to both let go of that. It’s not a documentary… It’s a story of four stories. You know, one on each of us, but, you know, of course we will get in together sometimes. So, we just said, ‘Okay, it’s a movie.'”

Starr thinks it’s “amazing” that there will be four Beatles movies with Barry Keoghan playing the drummer.
Lloyd Wakefield/Sony

Meanwhile, Starr has a new album out called “Long Long Road.”
UMR

Earlier this year, Starr released “Long Long Road,” his 22nd solo album and his second co-written and produced by T Bone Burnett, featuring collaborations with Sheryl Crow and St. Vincent.

In an earlier statement, Starr shared that the title came about because “I’ve been thinking about the road I’ve taken, starting in Liverpool, being in several bands, then with The Beatles – all those stops on your walk of life, it’s so far out.”

Starr is also touring with His All Starr Band and will play Forest Hills Stadium on Oct. 1, his first time back there since The Beatles played two historic sold-out shows in 1964, marking the group’s first-ever stadium shows.

He is also on tour with his All Starr band. They played The Greek Theatre in June.
Getty Images

Starr, seen here in July, credits his youthful appearance at 86 to broccoli and blueberries.
Getty Images for ABA

He’s philosophical when asked why he keeps touring at 86.

“I don’t know,” he said. “I’m just fit enough to do it. Sometimes mentally I say, ‘Oh, that’s enough.’ And then a week later I say, ‘No, it’s not.'”

And when asked how he manages to look two decades younger than he is, Starr is succinct.

“That’s all the blueberries and broccoli,” he exclaimed.




sábado, 19 de septiembre de 2026

For the first time a member of ‘The Beatles’ is coming to Portland




www.newscentermaine.com

For the first time a member of ‘The Beatles’ is coming to Portland
Aimsel Ponti previews upcoming concerts around Maine, including Ringo Starr & His All Starr Band.

Author: Aaron Tanguay 
(NEWS CENTER Maine)
Published: September 17, 2026


SHOW: Ringo Starr & His All Starr Band

WHEN & WHERE: Oct. 3 @ Cross Insurance Arena in Portland

COST: $121 and up

TICKETS & INFO

DETAILS: First time a Beatle has performed in Portland!



miércoles, 16 de septiembre de 2026

The Beatles Songs Paul McCartney Would Use to Introduce the Band to Aliens

Paul and The Shrimp! (Jean Shrimpton, iconic model of the 60s) shot by Richard Avedon for Harpers Bazaar in 65


www.mentalfloss.com

The Beatles Songs Paul McCartney Would Use to Introduce the Band to Aliens
If aliens asked what made the Beatles so special, these are the songs Paul McCartney would play first.

By Chris Wheatley
Mental Floss
Sep 15, 2026

Beatles Alien | Getty Images

What Beatles song would Paul McCartney play to aliens as their introduction to the Fab Four?

This question stemmed from a fan Q&A session held to celebrate Paul McCartney's bestselling book, The Lyrics: 1956 to the Present. Amongst other fascinating queries, luckily selected fans had the chance to ask to the former Beatle; this is the most telling. It also proved a difficult one to answer.

THE SONG PAUL MCCARTNEY WOULD PLAY FOR ALIENS


McCartney mused: "It’s always very hard to narrow down favourite songs, so what I do is just make a guess. What comes to my head for The Beatles would be "Yesterday" – I’d say that was an important moment. But then again, my inner voice says, 'What about 'Hey Jude?' What about 'Let It Be…?’ So, it is a very difficult question to answer. But I’ll plump for 'Yesterday'."

"Yesterday" is a song that famously came to Paul in a dream. He woke up with the melody in his head, and improvised placeholder lyrics to help fix the tune in his mind. McCartney had been living with then-girlfriend Jane Asher at the time, in Wimpole Street, London, in 1964. Until it was properly fleshed out, the song's initial, make-do title was actually 'scrambled eggs', with the opening lines: "Scrambled eggs, Oh my baby how I love your legs, Not as much as I love scrambled eggs."



Paul was so taken with the tune that, for a month or so, he became convinced that it must be a pre-existing work. After asking around, he knew it was an original. It has since gone on to become one of the most popular compositions of all time, with Guinness World Records noting that, by 2006, more than 1,600 versions had been recorded.

The other two contenders picked out by McCartney are also worthy considerations.

HONORABLE MENTIONS


"Hey Jude" was released in 1968 and became a top-selling single around the world. McCartney penned the song for John Lennon's young son, Julian, after Lennon had left his wife, Cynthia, for Yoko Ono. Writing in The Lyrics, McCartney recalled: "I was thinking about how tough it would be for Jules, as I called him, to have his dad leave him, to have his parents go through a divorce. It started out as a song of encouragement."

Paul's other potential pick, "Let It Be," appeared on the band's final album, of the same name. A beautiful ballad with a rousing chorus, it was written as an ode to Paul's mother, Mary. As a single, the song reached number one on the US Billboard Hot 100.


lunes, 14 de septiembre de 2026

Drawings by Beatles John Lennon and Stu Sutcliffe Up for Auction

Stuart Sutcliffe and John Lennon with arms around each other in a Hamburg Bar (1961) Credit: The Stuart Sutcliffe Estate.(Image: Courtesy of Pauline Sutcliffe/Su)


www.theglassonionbeatlesjournal.com

Drawings by Beatles John Lennon and Stu Sutcliffe Up for Auction

The Glass Onion Beatles Journal
on September 12, 2026


Via Track Auctions:

A page from a writing pad containing drawings by John Lennon and Stuart Sutcliffe. They were created by John and Stuart in Astrid Kirchherr’s apartment in Hamburg, Germany in 1961.

The drawings are over two sides. On one side John Lennon has drawn two characters at the bottom of the sheet which resemble those he drew in his 1964 book ‘In His Own Write’, Stuart Sutcliffe has drawn a self-portrait and a portrait of Astrid Kirchherr above John’s. On the reverse side of the page John has drawn two facial doodles, one to the left and one in the centre. Stuart Sutcliffe has drawn a facial doodle on the right side of the paper.

Provenance: given to the previous owner by Astrid Kirchherr.

The sheet measures 21.75cm x 16.7cm (8.6 inches x 6.6 inches). The condition is very good minus.

More info in  tracks.co.uk




www.tracks.co.uk

B53926 – John Lennon And Stuart Sutcliffe 1961 Hamburg Drawings (Germany)

£7,500.00

A page from a writing pad containing drawings by John Lennon and Stuart Sutcliffe. They were created by John and Stuart in Astrid Kirchherr’s apartment in Hamburg, Germany in 1961.
The drawings are over two sides. On one side John Lennon has drawn two characters at the bottom of the sheet which resemble those he drew in his 1964 book ‘In His Own Write’, Stuart Sutcliffe has drawn a self-portrait and a portrait of Astrid Kirchherr above John’s. On the reverse side of the page John has drawn two facial doodles, one to the left and one in the centre. Stuart Sutcliffe has drawn a facial doodle on the right side of the paper.
Provenance: given to the previous owner by Astrid Kirchherr.
The sheet measures 21.75cm x 16.7cm (8.6 inches x 6.6 inches). The condition is very good minus.




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viernes, 11 de septiembre de 2026

4 Cool Songs Members of The Beatles Wrote for Ringo Starr’s ‘Ringo’ Album




americansongwriter.com

4 Cool Songs Members of The Beatles Wrote for Ringo Starr’s ‘Ringo’ Album

By Jim Beviglia
American Songwriter
September 5, 2026



The four men who comprised The Beatles weren’t agreeing on a lot circa 1973. But John Lennon, Paul McCartney, and George Harrison all stepped up and helped out Ringo Starr on his 1973 album Ringo.

Each of them wrote at least one song for the project. Here’s a look back at four of those songs that helped to make the Ringo album so special.




“I’m The Greatest”


When you talk about near-Beatles reunions, “I’m The Greatest” is way up there. Not only did John Lennon write the song, but he also sang backing vocals. Meanwhile, Starr is on drums, and George Harrison plays guitar. Meanwhile, a pair of Beatle buddies, Billy Preston and Klaus Voorman, contribute organ and bass, respectively. Lennon wrote the song as a possible vehicle for himself. Reviving it for the Ringo album, he realized that the boastful lyrics would provide clever contrast for the self-deprecating Starr. There are plenty of meta references going on in the song, with references to Billy Shears, “boogaloo,” and Starr once being part of “the greatest show on Earth”.

“Six O’Clock”


Paul McCartney steered clear of the “I’m The Greatest” session, preventing a total Beatle reunion on the song. But he made his presence felt on Ringo just the same. That’s Paul mimicking the sound of a kazoo during the solo on “You’re Sixteen”, Starr’s hit cover of the early rock song. And McCartney and wife Linda also contributed the melancholy, melodic “Six O’Clock” to the proceedings. Keen listeners could probably spot that this was a Macca song without needing the credits. The ups and downs of the tune are right in keeping with his balladic work. He and Linda also add some backing vocals to the track, while Ringo does a nice job inhabiting the sad sack protagonist.

“You And Me (Babe)”


George Harrison was the most involved of the three ex-Beatles who helped out on Ringo. In addition to this track and the one still to come on the list, Harrison wrote the countryish “Sunshine Life For Me (Sail Away Raymond)” for the project. Mal Evans, another longtime Beatle associate, nabbed a co-writing credit on “You And Me (Babe)”, which rounds out the album. The lyrics, which Evans began, cleverly work in a couple of ways. You can hear them as a stoic sendoff to a former lover. Or you can imagine them being a message from a touring band to their fans on their way out of one city. Ringo’s thank-yous at the end of it lean into the latter interpretation.

“Photograph”


Starr doesn’t get enough credit for writing some very good songs in his heyday. That’s partly due to the fact that he often struggled to finish the process. When that was the case, he often turned to Harrison, who ended up with co-writing credits on many of Ringo’s biggest hits. In the case of “Photograph”, it started when Harrison taught the drummer Starr a new chord to add to his rudimentary guitar skills. Give credit to producer Richard Perry, who lacquered the track with Wall of Sound-style production, right down to the castanets. Bobby Keys’ saxophone adds to the effect. And Starr delivers one of his finest vocals on this massive hit filled with bittersweet regret.






miércoles, 9 de septiembre de 2026

Beatles biographer Hunter Davies: ‘I think Yoko was in love with Paul first’

Paul McCartney and Yoko Ono embrace, following his "letter" to welcome John Lennon into the Rock and Roll Hall of Fame, 1994


www.telegraph.co.uk

Beatles biographer Hunter Davies: ‘I think Yoko was in love with Paul first’
From holidays in Portugal to walks around Primrose Hill, the 90-year-old knows better than anyone what it was like to hang out with the band

Julia Llewellyn Smith
The Telegraph
Published 08 September 2026

Get Back: The Boys Who Became the Beatles is Hunter Davies’s fifth book on the Fab Four 
Credit: Andrew Crowley for The Telegraph

Hunter Davies, veteran author and journalist, holds up a pair of navy-and-white swimming trunks that he has pulled out of a plastic bag he keeps in a packed cabinet. “They’re Paul’s,” he says. He means Paul McCartney. “He and Linda stayed with us in Portugal in 1968, and he left his cossie behind. I wrote to him, ‘You idiot! Do you want me to post it?’ He said, ‘Just bin it.’” Davies did not. “When he dies, I’m going to get the DNA out of there and clone little McCartneys.”

Davies is 90 years old. Few living people know better what it was like to hang out with the Beatles – whose surviving members, McCartney and Ringo Starr, are now 84 and 86 respectively. Davies works for four hours every day, including Sundays, and boasts teasingly that he currently has three books on the go.

Davies (pictured in 1987) inadvertently became the group’s only authorised biographer 
Credit: Radio Times/Jeremy Grayson

Sixty years ago, he was working for The Sunday Times when he suggested to McCartney – whom he’d previously interviewed – that the biggest band in the world needed a proper biography. “So that when people asked why ‘Beatles’ was spelt that funny way, or why they had that funny haircut, they could say it was all in the book.”

Two years later, the band split up. Davies estimates that around 3,000 Beatles books have subsequently been published. Having spent two years with McCartney, Starr, John Lennon and George Harrison one on one, in the studio and with their families, he had inadvertently become the group’s only authorised biographer.

“When I finished the book, I thought, ‘In 10 years, they’ll be forgotten. In 10 years, somebody will sell more records’ – which Michael Jackson did. But nobody else has come close to the Beatles in influence, or the creativity of their lyrics and music.”

In 1970, however, Lennon told Rolling Stone that Davies’s biography was “a whitewash”. Davies is still wounded by the memory. “That’s an awful story. I rang John up. He said, ‘You know me, Hunt – I say anything that comes into my head. All I was meaning – you didn’t have all the sex. We had orgies, groupies queueing up.’”

Davies shrugs. “I had put in the drugs, and the swearing, but I didn’t put the sex in because they all had wives or regular girlfriends, and I saw no need to embarrass them.” Would he include it today? “Oh, yeah!”

‘Nobody else has come close to the Beatles in influence’: Davies pictured in 1976 
Credit: Evening Standard/Hulton Archive/Getty Images/Robin Jones

He also didn’t touch on the homosexuality of the Beatles’ manager, Brian Epstein. “Brian was a lovely man. He went to the Cavern [Club, in Liverpool, where the Beatles were spotted] because he liked rough trade – blokes who weren’t gay.” Epstein died of an overdose in 1966. Many feel that, for too long, he was written out of the band’s story. “The sadness was, by the time he died, they were like children who’d grown up, and he was the old parent they’d moved away from.”

Davies had a ringside seat to Lennon and McCartney’s notoriously complex relationship. “They loved each other, but they really were competitive. Each one wanted the other’s appreciation.

“I remember when Paul and I came back from a walk in Primrose Hill. Paul played the basic tune of It’s Getting Better, which he’d just written while I was with him. I can still see John’s face, National Health specs on, absolutely blank, betraying no emotion. Paul was waiting for him to say, ‘That’s great.’

‘They loved each other, but they really were competitive,’ says Davies of McCartney and Lennon, pictured in 1964 
Credit: GAB Archive/Redferns

“But he said, ‘That’s good. I’ll try to think of a second verse.’ And he came up with a very cruel one about beating his woman. That’s why it’s a brilliant song, because it turns dark. And that’s why they were the best combination.”

Davies has lost touch with Starr, who now lives in the US, but is still in contact with McCartney, who was always the one he liked best. There was only a temporary blip in their friendship after Linda’s death in 1998, when McCartney remarried model Heather Mills. The couple divorced acrimoniously in 2008, and last year, at a private party hosted by McCartney, Davies was introduced to his third wife, heiress and businesswoman Nancy Shevell. “She was dignified and quiet. And well-off.”

Fans frequently blame Yoko Ono, now 93, with whom Davies is also still in touch, for the band’s break-up. “Of course she wasn’t responsible,” he says with a faint eye roll. “They were so young – they wanted to go their separate ways. John was fed up. George was more interested in the sitar, in spiritual things, and always felt inferior because he was the youngest. Ringo was a bit bored. Paul was the only one who wanted to keep it together. They didn’t fall out. They were very intelligent, sensible people. They’d had their fun, and they wanted to do new things.”

Davies recently donated a priceless stash of handwritten lyrics, letters to and from the Beatles, and 39 notebooks of interviews with them, to the British Library (“next to Magna Carta and Shakespeare and Wordsworth”). Yet his Victorian home in Dartmouth Park, north London – today worth more than £3m (he and his late wife of 55 years, author Margaret Forster, bought it in 1963 for £5,000) – remains a Beatles treasure trove. Its walls are covered in black-and-white shots of the band: some are prints of portraits by Starr, while others were taken during their early days in Hamburg and bear personal inscriptions from the photographer Astrid Kirchherr (girlfriend of Stu Sutcliffe, the band’s original bass guitarist, who died of a brain injury at 21).

All the Beatles visited the Davies household at some point. When Starr came one day in 1968, he asked for vegetarian food. “Margaret did a very poncey Delia Smith aubergine dish,” Davies recalls. “Ringo went, ‘What’s this?’ By veggie, he meant beans on toast.”

Davies was married to writer Margaret Forster until her death in 2016 aged 77 
Credit: PA Wire/Hunter Davies

And scholars from all over the world trek to north London to quiz Davies, who’s now publishing his fifth book on the quartet, Get Back: The Boys Who Became the Beatles. Surprisingly, though, he has never met director Sam Mendes, who’s directing four films, one about each Beatle, set for simultaneous release in 2028. Do we really need four films about one band? “I can’t believe people will want to see all of them. But the farther away we get from the Beatles, the bigger they become. Until the last syllable of recorded time, someone will be humming a Beatles song.”

Get Back ends at the point when the Beatles release their first single, Love Me Do, in 1962 (a hefty epilogue recalls later incidents). Although Davies has told many of his Beatles stories before, it includes some biography offcuts, including Lennon’s childhood memory of his mother Julia, who’d left him to the care of his Aunt Mimi when he was an infant, then visited John with a bleeding face, allegedly inflicted by her then-boyfriend. Lennon recalled thinking: “‘F--- it. I must get away’… I went to the garden to hide my feelings.”

Get Back ends at the point when the Beatles release their first single, Love Me Do, in 1962 – pictured in Liverpool’s Cavern Club in the same year 
Credit: Getty Images/Michael Ochs Archives

Are there more revelations up Davies’s sleeve? He hints at one regarding Ono. “I believe she was in love with Paul first. But Yoko’s still alive, so I’ll say no more.”

Besides, Get Back isn’t just another Beatles tale: it’s also a social history of the Britain that shaped both the band and their biographer. Like the Beatles, Davies came from a working-class family. His father was an RAF clerk, his mother a housewife. Like Paul and George, he grew up in a council house: he in Carlisle, they in Liverpool, amid post-war rationing. “We all remembered never seeing a banana, and assuming eggs would come dried.”

All benefited from the new National Health Service, not just John for those specs, but also Ringo who, after developing peritonitis aged six, had spent a year at the Royal Liverpool Children’s Hospital. Davies, along with John, George and Paul, attended grammar school (where Lennon failed all his O-levels and was effectively expelled). Davies became one of only 4 per cent of the population to attend university, going to Durham, where he edited the student newspaper and subsequently made his way south to Fleet Street.

Seven decades on, Davies is “still surprised” by the middle-class lifestyle he enjoys. He has holiday homes in the Lake District and the Isle of Wight, and takes regular holidays in the Caribbean. In fact, he’s heading off shortly to Bequia, an island in the Grenadines, with his latest girlfriend, aged 80. “My children hate it,” he says unrepentantly, “when I talk about my sex life.”

Davies has holiday homes in the Lake District and the Isle of Wight, and takes regular holidays in the Caribbean 
Credit: Andrew Crowley for The Telegraph

Could he have attained this today, in a world where most grammar schools have been abolished and university education, though far more widely available, has a huge price tag attached? “I was lucky,” he says, “starting work in the 1960s. People like me got their chance. There was so much money, so many jobs, and old Etonians were prejudiced against in favour of people from my background.

“There’s no comparison with life and opportunities now. Obviously, there’s terrible poverty, and the haves are even have-ier than they used to be. But today, except in certain Jilly Cooper circles, people can rise regardless of their education and accent, and not be prejudiced against.”

Davies didn’t want to be known only as the “Beatles man”. He has written more than 100 books; his other projects have included ghost-writing the autobiographies of footballers Wayne Rooney and Paul Gascoigne, and writing The Glory Game (1972), a now-classic study of his favourite London football club, Tottenham Hotspur. “I spent a year in the Spurs dressing room. I heard the plates flying. You couldn’t do that today, because they’ve all got accountants, lawyers and PRs.”

The memory returns us to his two years with the Fab Four. “When Paul and John were having a row, I’d think, ‘Oh, God! What if they suddenly say, “What are you doing here? Get out!”‘ And I’d think, ‘Well, if that happens, I’m still so lucky to have had the experience.’”


Get Back: The Boys Who Became the Beatles (Ebury, £25) will be published on September 17

Paul and Linda with Hunter and wife Margaret Forster, Portugal, 1968.