miércoles, 26 de febrero de 2025

Paul McCartney announces new book ‘Wings: The Story Of A Band On The Run’

‘A huge buzz’ … McCartney during the Wings Over the World tour, Philadelphia, 1976. Photograph: Robert Ellis/MPL Communications Ltd


www.nme.com

Paul McCartney announces new book ‘Wings: The Story Of A Band On The Run’

It features over 100 photographs, many of which have never been shared before

By Liberty Dunworth

NME

26th February 2025

Wings - Paul McCartney, Linda McCartney, Denny Laine, Henry McCullough and Denny Seiwell. Spain, 1972. CREDIT: 1972 MPL Communications Ltd

Paul McCartney has announced details of a new book titled Wings: The Story Of A Band On The Run. Check out the details below.

Set to arrive on November 4, the new book comes as an oral history of the iconic band, which was formed by Paul, his wife Linda, and Denny Laine back in 1971, following the huge global success of The Beatles.

Described as “a rousing, stereophonic celebration of the songs, collaborations and performances that would shape the soundtrack of the late 20th century”, the book is drawn from over half a million words and countless hours of interviews from McCartney and other key players in the band’s orbit.



It explores the impact of the band across their albums and follows various incarnations of the line-up through their career. Anecdotes include the time they were mugged in Nigeria, their surprise appearances at university halls in the UK, and how they came to write hits including ‘Let ‘Em In’, ‘Live And Let Die’, ‘Band On The Run’ and more.

Over 100 photographs are featured in Wings: The Story Of A Band On The Run – many of which have never been seen before. The book is also set to “shed new light on the immediate aftermath and seismic global impact of The Beatles’ break-up, as the musical landscape and tastes began to splinter and diverge along with societal views.”

Wings – Denny Laine, Paul McCartney, Linda McCartney and Denny Seiwell. Osterley Park, London. CREDIT: 1971 MPL Communications Ltd / Photographer: Barry Lategan

Speaking about the new book, McCartney said: “I’m so very happy to be transported back to the time that was Wings and relive some of our madcap adventures through this book.”

“Starting from scratch after The Beatles felt crazy at times. There were some very difficult moments and I often questioned my decision. But as we got better I thought, ‘OK this is really good’,” he added. “We proved Wings could be a really good band. To play to huge audiences in the same way The Beatles had and have an impact in a different way. It was a huge buzz.”

Wings: The Story Of A Band On The Run will be available to pre-order at a later date.

News of the book arrives just weeks after it was confirmed that the band’s classic album ‘Venus And Mars’ is set to be reissued to mark its 50th anniversary. Set for release on March 21, the new version of Wings’ 1975 fourth studio record is set to arrive in the form of a special half-speed master edition.

Both the book and the album reissue are part of a larger celebration of the band, who made a massive global impact on the music scene before their dissolution in 1981.

Wings – Joe English, Jimmy McCulloch, Linda McCartney, Paul McCartney and Denny Laine. CREDIT: 1976 MPL Communications Ltd / Photographer: Clive Arrowsmith

Other new releases around the band have included a theatrical release of the film One Hand Clapping, as well as its accompanying 1974 live-in-studio album. Both arrived in 2024.

Earlier that year, the band also shared a five-decade edition of their 1973 third album, ‘Band On The Run’.

In other news, Paul McCartney has recently teased that he hopes to finish a new solo album this year. “I’ve been working on a lot of songs, and have had to put it to the side because of the tour,” he said. “So, I’m hoping to get back into that and finish up a lot of these songs. So, how’s about that? ‘My New Year’s resolution is to finish a new album!’”

Meanwhile, the musician has played three surprise intimate gigs in New York City, and also said that proposed changes to copyright law would allow AI to rip off artists and result in a “loss of creativity”.




www.paulmccartney.com

'Wings: The Story of a Band on the Run' - Coming 4 November 2025

25.02.2025


Wings: The Story of a Band on the Run
⁠Edited with an Introduction by Ted Widmer
⁠Coming 4 November, 2025


A landmark account of Paul’s triumphant musical reinvention in the 1970s and the subsequent rise of one of the decade’s most iconic bands.

“I’m so very happy to be transported back to the time that was Wings and relive some of our madcap adventures through this book. Starting from scratch after The Beatles felt crazy at times. There were some very difficult moments and I often questioned my decision. But as we got better I thought, ‘OK this is really good.’  We proved Wings could be a really good band. To play to huge audiences in the same way The Beatles had and have an impact in a different way. It was a huge buzz.”—Paul McCartney

As the Sixties came to a close, Paul was faced with the daunting prospect of being a solo artist for the first time. Wings’ ascension to the top of the charts with classic albums including Band on the Run, Venus and Mars and At the Speed of Sound, along with the band’s stadium-filling live shows would prove to critics and fans that not all great acts are impossible to follow. Wings:The Story of a Band on the Run is a rousing, stereophonic celebration of the songs, collaborations and performances that would shape the soundtrack of the late 20th century.


Drawn from over 500,000 words, based on dozens of hours of interviews with Paul and numerous key players in the band’s orbit, Wings: The Story of a Band on the Run weaves together the improbable trajectory of Paul McCartney and his newly formed band (featuring co-founding members Linda McCartney and Denny Laine) across the technicolor 1970s until their dissolution in 1981. 

Edited by the prize-winning historian Ted Widmer and organized around nine Wings albums, the oral history sheds new light on the immediate aftermath of the seismic global impact of The Beatles’ break-up, as the musical landscape and tastes began to splinter and diverge along with societal views. The narrative follows the various incarnations of the band as they survive a mugging in Nigeria, appear unannounced at UK university halls, tour in a sheared-off school bus with their children, while producing some of the most indelible and acclaimed music of the decade, including: “Mull of Kintyre,” “Live and Let Die,” “Band on the Run,” “My Love,” “Jet,” “With a Little Luck,” “Silly Love Songs,” “Let ‘Em In,” “Junior’s Farm” and more. 

With more than 100 black-and-white and color photographs, many never seen before, Wings: The Story of a Band on the Run is part of a larger reexamination and appreciation of the group and their catalog, including the 2024 theatrical release of the rare Wings live-in-studio performance film One Hand Clapping and its accompanying album; 50th anniversary editions of the Wings albums Band on the Run (released February 2024) and Venus and Mars (releasing March 2025); and a forthcoming documentary on Paul McCartney’s solo and Wings-related musical work of the 1970s from Academy Award-winning filmmaker, Morgan Neville.

"Wings was about love, family, friendship and artistic growth, often in the face of tremendous adversity.  It was a joy to relive the madcap adventures of a special band, by listening to their stories, and compiling this oral history."—Ted Widmer

Pre-order your copy of Wings:The Story of a Band on the Run here.



domingo, 23 de febrero de 2025

Ringo Starr's debut at the Grand Ole Opry in Nashville: Our best photos


www.tennessean.com

Ringo Starr's debut at the Grand Ole Opry in Nashville: Our best photos

Andrew Nelles

THE TENNESSEAN

Published  Feb. 21 , 2025

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean



Ringo Starr places his hat on the mic stand while performing on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr, center, performs with Molly Tuttle, left, and Ketch Secor, right, during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage with Molly Tuttle, left, during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean




Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr, center, performs with Molly Tuttle, left, and Ketch Secor, right, during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean



Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean




Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage with Molly Tuttle, left, during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean

Ringo Starr performs on stage during his debut at the Grand Ole Opry in Nashville, Tenn., Friday, Feb. 21, 2025.
Andrew Nelles / The Tennessean






martes, 18 de febrero de 2025

Read Our Exclusive with Music Icon Ringo Starr

nashvillelifestyles.com

Read Our Exclusive with Music Icon Ringo Starr

With his new album, Ringo Starr reunites with T Bone Burnett and his first musical love.

BY CHRIS PARTON 

Nashville Lifesyles

FEBRUARY 17, 2025

SCOTT ROBERT RITCHIE

It’s definitely a cliché to describe someone as “84-years-young,” but in the case of Ringo Starr, it's definitely warranted.

If you’re lucky enough to spend any time with the rock-and-roll legend, you can tell he’s still having fun. And he’s still looking out for new things to try. After changing the world forever as the drummer of The Beatles, then embarking on a decades-long solo career defined by a joyful surrender to whichever direction his inspiration led, Starr has now done something even he didn’t see coming. His country album Look Up arrived early last month (January 10), marking his first full album in six years, and first with Nashville connections in 55.

Never one to plan things out, a twist of fate led to this brand-new chapter for the pop culture icon. But to hear him tell it, that’s where Starr has always thrived. He’s still in love with making music and has never needed more of an excuse to do it than that. And hey, it’s been working so far.

“It’s what I do. I’ve only ever dreamt of being a musician, and I’ve been a drummer since I was 13 [who] went to be in a band, and that’s all worked out really well,” he says through a charming, Cheshire Cat grin, with close- cropped hair matching round sunglasses in a jet-black gleam. It’s an understatement, sure, yet Starr keeps coming back to the thread. “It all just fell into place, and even this record just fell into place. I didn’t sit here planning ‘I’m going to do a country album.’”

That may be true, but as he speaks with Nashville Lifestyles from his home in Los Angeles, Starr admits the end result feels perfectly natural, too. Produced by American roots master T Bone Burnett (with co- production by Daniel Tashian, Bruce Sugar, and Starr himself ), Look Up’s 11 songs combine a classic take on country songcraft with the refreshing, British-invasion “cool” Starr helped define, plus Americana guest appearances by Billy Strings, Molly Tuttle, Alison Krauss, Lucius, and Larkin Poe.

Optimism shines alongside an unmistakable vocal, and right from the start, Starr’s enthusiasm is obvious – even if his drawl comes with an English twang.

“It’s a country album because the songs can be sad, but they’re sad in an up kind of way,” he says.

In the end, it’s an intriguing, unexpected project from an artist known all around the world by a single name – one who is synonymous with America’s pop music explosion. Yet Look Up offers a glimpse at where the explosion started, and that’s a story even lifelong fans may not know. Often described as the “country-est” Beatle, the down-home detour actually speaks to Starr’s deep love of country, which he says goes a long, long way back indeed.

DAN WINTERS

“Always,” he declares, hitting a note of solemn respect. In fact, Starr came into The Beatles as a roots-music obsessive, enthralled by Hank Williams, Lightnin’ Hopkins, and more. He actually tried to immigrate to the U.S. through Houston as a teen, because he found out that’s where Hopkins lived. Lucky for the world, the pile of forms he was given to fill out was far more work than Starr and his pals were up for, so they ended up heading home.

Eventually, Starr’s voice graced country- inspired recordings at the height of Beatle Mania, including songs he wrote himself like

“What Goes On” and “Don’t Pass Me By,” and the band’s beloved cover of Buck Owens’ “Act Naturally.” He says his partners John Lennon, Paul McCartney, and George Harrison appreciated country as another flavor in their groundbreaking mix. “They were open to that ... there was no like, ‘Oh, you can’t do that,’” he explains. “I’m an emotional type of guy, and every country song back then was, ‘the wife’s left, the dog’s dead, and I don’t have enough money for the jukebox.’ ... I’ve just always loved country music, and I still do.”

Look Up started when Starr bumped into Burnett in L.A. in 2022, reconnecting decades after their first introduction. Now known as the Grammy-winning producer behind monumental projects like the O’ Brother Where Art Thou? soundtrack, Robert Plant and Alison Krauss’ Raising Sand, and more, Burnett is fully at home in the mystic world where the classic forms of American music converge — and has even helped others like Elton John and B.B. King tap their early influences. As it turns out, the reunion was perfectly timed.

It was sometime in the 1970s when Starr and Burnett first met — and that’s according to Burnett, since Starr finds that whole era a bit... fuzzy. It would have been a few years after Starr did his first Nashville album, Beaucoups of Blues — which officially proclaimed his love of the country style — and when the pair crossed paths again, Starr was working on a series of pop and rock EPs. He casually asked his old friend to write a song for one of those projects, and somewhat accidentally, Burnett wrote nine. But they weren’t pop, or rock.

“This has been my problem all through life,” Burnett admits, speaking with Nashville Lifestyles in a separate interview. “Once I start, I can’t stop.” “He sent me this song, an incredibly beautiful country song ... I had this big plan to invite him to produce an EP on me,” Starr recalls. “Anyway, we were talking and he mentioned to me, ‘I’ve got some songs.’ I said, ‘Well, how many have you got?’ And he goes, ‘Nine!’ And I thought, ‘Man, let’s make an album!’”

Once they got started, Burnett quickly realized how comfortable Starr seemed as a “country” artist. It was like he was made for the role. The producer notes that, in truth, The Beatles were just as influential to modern country as Hank Williams or anyone else, so the trick was just to let Starr be himself.

“I mean, really, The Beatles were a roots- music band if you get right down to it,” Burnett explains. “They reinvented rock and roll several times. But if you think about it, all their stuff was very much what would now be called American roots. So, it’s not really a step away from anything, it’s just him.”

Still, a big part of the record’s authentic feeling comes down to Burnett’s songwriting. It’s a very purposeful combination of the “emotional” headspace Starr described, full of nuance. Topics often deal with loss or hardship, but leave plenty of space for hope to spring through. And that’s precisely where the Look Up title comes from.

“I was trying to write songs that were the truest to who Ringo actually is,” Burnett goes on. “One of the mistakes I think people make when they do records with heritage artists is they get the idea that they’re going to update them. Do a hip-hop track with Ringo or something. I wasn’t about to try to update Ringo — more like go for the core of who he is. Who he was, and who he is still.”

Burnett would get the songs started in Nashville and send them to Starr, who would lay down his drums and vocals in the comfort of his home. The song would go back and forth a few times, and then Burnett would add in harmony vocals or guitar contributions from their flattered guests, who were all overjoyed to help out a hero.

“And between us, we made a great country album,” Starr says.

In terms of sound, the Brit-country brightness is established from the opening track, “Breathless” (featuring Billy Strings), but it’s Starr’s rich, melancholic voice that steals the show.

“My voice came out great, because every song is in my key,” he says with a laugh. “Usually, people send me a song and it’s in like F-demented. It’s like very high, some craziness to it, and I think, ‘Don’t they know me?’” “I’ve always thought he was the least appreciated of the four singers in The Beatles,” Burnett adds.

Fans got an early taste of the record with “Time On My Hands,” which Starr says ticked all of his country-music boxes — from lost love and loneliness to a weeping steel guitar, and the determination to make a new start.

“It’s a really cool track, and it has a lot of space in it,” he says. “And it’s the [country] sentiment that, for me, is great.”

Others like “Never Let Me Go” feel like a prime-era Beatles single (plus twang, that is), and while “I Live for Your Love” (featuring Molly Tuttle) shimmers with euphoric devotion, “Come Back” features a Gene Autry-style Western flair, and the crunchy country-rocker “Rosetta” taps a blazing guitar solo from Billy Strings. The swinging rockabilly track “You Want Some” is one of only two songs Burnett did not write — it was penned by Billy Swan — and it’s joined by the last track on the record, “Thankful” (featuring Alison Krauss), which Richard Starkey and Bruce Sugar wrote before Look Up started.

Thinking back now, “thankful” is how Starr is feeling about the whole adventure. Just after the album’s release, he headlined two nights at the Ryman Auditorium, and although he’s played there with his All Starr Band before, this time felt different. Maybe it was knowing that his country dreams were finally realized, and that he was truly following in the footsteps of heroes like Hank, Patsy, and the rest.

“When I get on the Ryman stage, my heart is full,” he says with honest reverence. And that’s what he hopes fans take from Look Up as well. “I hope they get joy from this record,” he says. “I mean, it’s a lot of sad songs, but there’s always an upside. There is sunlight at the end.”

He didn’t see it coming, but everything worked out in Starr’s favor once again. In fact, it’s been such a positive experience, he might even consider doing another.

“I am so pleased I did it,” he says. “As I said at the beginning, it just came about. I didn’t plan it ... but it was easy for me. I’d have no problem doing another [country album], so we’ll see.”




lunes, 17 de febrero de 2025

‘SNL 50' ends with Paul McCartney performing Abbey Road medley

Paul McCartney. PHOTO: NBC


www.nbcnewyork.com

‘SNL 50' ends with Paul McCartney performing Abbey Road medley

The show celebrating half a century of "Saturday Night Live" ended with a performance by the former Beatle.

By Brendan Brightman 

Published Feb 17 2025 

In the end, the love you take is equal to the love you make.

A star-studded and historic 50th anniversary special of "Saturday Night Live" ended with Paul McCartney performing the famous medley of songs that ended the Beatles' last-recorded album, "Abbey Road," on Sunday.

The sketch comedy series, known for featuring up-and-coming comics, celebrity hosts and musicals, began and ended with musical performances.

Modern pop star Sabrina Carpenter and Paul Simon opened the show with a rendition "Homeward Bound," a song Simon first sand with another Beatle, George Harrison, on "SNL" in 1976.

The show lasted for more than three hours and featured guest appearances that included Eddie Murphy, Will Ferrell, Bad Bunny, Bill Murray, Jason Sudeikis, Tom Hanks, Meryl Streep, Tina Fey, Amy Poehler, Ryan Reynolds, Pete Davidson, Miley Cyrus, Steve Martin, David Spade, Cecily Strong, Martin Short, Drew Barrymore, Jimmy Fallon, Ayo Edeberi, Pedro Pascal, Lil Wayne and Adam Sandler.

Sandler, who was a cast member in the 1990s, performed one of his famous comedy songs celebrating the anniversary.


With many of the cast members and guests gathering for the anniversary special, the "SNL 50: The Anniversary Celebration" is considered the largest TV reunion in history.

In the end, the show paid its ultimate tribute to Lorne Michaels, the show's creator and long-time showrunner.

"The man who made all our dreams come true, Lorne Michaels!" Short said in the show's final scene.

Lorne Michaels attends SNL50: The Homecoming Concert at Radio City Music Hall on February 14, 2025 in New York City.


www.rollingstone.com

‘SNL50’: WATCH PAUL MCCARTNEY PERFORM ‘ABBEY ROAD’ MEDLEY

McCartney closes out the anniversary episode how he did a surprise show in New York earlier this week

By WILLIAM VAILLANCOURT

FEBRUARY 17, 2025

NBC/SNL

Paul McCartney closed out Saturday Night Live‘s 50th anniversary show by performing a medley of the final three songs on the Beatles’ 1969 album Abbey Road.

McCartney began on piano with “Golden Slumbers,” singing about getting “back homeward”–a fitting conclusion to a show that began with Paul Simon and Sabrina Carpenter performing “Homeward Bound,” which Simon and George Harrison played on SNL in 1976.

As is the case on Abbey Road, “Golden Slumbers” segued into “Carry That Weight,” and then “The End,” with McCartney hopping up from the bench during the drum solo and picking up his electric guitar.



After a solo of his own, McCartney sang the final lines of the song–“And in the end / The love you take / Is equal to the love you make”–and then thanked those in the studio audience.

Sunday marked McCartney’s fifth time as SNL musical guest, having had the role most recently in 2012.

McCartney was in New York earlier this week for a couple pop-up shows at the Bowery Ballroom. There, his band’s encore was the same as his SNL setlist: “Golden Slumbers,” “Carry That Weight,” and “The End.”






domingo, 16 de febrero de 2025

Sean Ono Lennon discusses the 'burdens' of being John Lennon and Yoko Ono's son

www.themirror.com

Sean Ono Lennon discusses the 'burdens' of being John Lennon and Yoko Ono's son
Sean Ono Lennon, the son of John Lennon and Yoko Ono, has spoken out about the 'burden' of being the custodian of his dad's music, but says he feels 'honoured'

ByEllie & HookEllie Hook
The Mirror US
FEB 15 2025

Sean Ono Lennon has opened up about his very famous parents  (Image: Getty))

Sean Ono Lennon, the son of music legends John Lennon and Yoko Ono, has openly embraced his status as a so-called 'Nepobaby'.

At the 2025 Grammy Awards in Los Angeles on February 2, the 49-year-old musician shared his thoughts about his heritage and its impact on his career.

"In terms of balancing and being the custodian of [my dad's] music and my own music, it's not a burden. It's honestly a great privilege for me," Sean expressed during a press room interview.

He added, "I just feel so lucky that I get to do good by my dad, you know? " Reflecting on his father, who was tragically murdered in December 1980 when Sean was just five, he said, "It seems like a privilege, as his son, to be able to give back."

John Lennon and Yoko Ono at a press conference  (Image: Getty)

Sean continued, "He gave the world so much, and he gave me so much, and I just feel really honored to be able to do justice by him if I can."

Following in his parents' footsteps, Sean has released three solo albums and participated in various band projects.

At the Grammys, he triumphed with Simon Hilton, winning best boxed or special limited edition package for the expanded version of his father's third solo studio album, Mind Games. When asked about future plans, Sean hinted at more re-releases of his father's work.

"Simon and I are working on the One to One concert, which was John and Yoko's last concert in Madison Square Garden," he enthusiastically shared.

A young Sean with his late dad (Image: Getty)

He added: "We're working on repackaging that, remixing it, and we've got a whole film coming with it."

Sean further expressed his excitement about the August 1972 concert, saying, "It's super cool."

He continued, "They were all decked out in camouflage ... and they looked like wild radical leftists. It was really a cool show."





sábado, 15 de febrero de 2025

Paul McCartney 's "third and final" Bowery Ballroom show


Paul McCartney 's "third and final" Bowery Ballroom show


Paul McCartney at The Bowery Ballroom

Friday  Feb.  14  2025




Arriving at The Bowery










The Show











Paul McCartney leaving The Bowery Feb 14 2025