jueves, 29 de octubre de 2020

Paul McCartney coming back for thirds with ‘McCartney III’

 


 

 www.dailylocal.com

Rock Music Menu: Paul McCartney coming back for thirds with ‘McCartney III’

By Michael Christopher
DAILY LOCAL NEWS
October 29 2020

McCartney Studio + Mary McCartney.jpg

While in quarantine, Paul McCartney put together a whole new solo album, 'McCartney III'.
Photo by Mary McCartney

One would hope while their favorite musicians are stuck at home due to the coronavirus pandemic they might be inspired to create some new music. Few would’ve expected Paul McCartney to not just be one of them, but to write, record and release a new album less than a year into quarantine times. Yet that’s exactly what the 78-year-old has done as he plans to drop the full-length ‘McCartney III’ Dec. 11.

Marking 50 years since he released his self-titled first solo album, it only made sense for McCartney to revisit that milestone and the efforts behind it in 2020.

‘McCartney’ in 1970 saw him playing every instrument and writing and recording every song on an LP which would top the charts. It signified a creative rebirth for the freshly ex-Beatle, as well as a template for generations of indie and lo-fi musicians seeking to emulate its warm homespun vibe and timeless tunes including “Maybe I’m Amazed,” “Every Night” and “The Lovely Linda.”

The 1970s saw Macca form his second band, Wings, and dominate the charts, stages and airwaves of the world, with multiple No. 1 singles, sold-out world tours, multi-million-selling albums including ‘Band on the Run,’ ‘Venus and Mars’ and more. 

Then, a decade after ‘McCartney,’ to kick off the 80s, Paul delivered the surprise release of his second solo album, the electronic-tinged ‘McCartney II.’ Once again featuring McCartney entirely on his own, the LP would come to be regarded as a leftfield classic, with classic cuts such as ‘Coming Up’ and ‘Temporary Secretary.’    

Now, just two years since his last solo effort, ‘Egypt Station,’ and mere months after his Freshen Up tour was forced to a halt when Covid-19 hit, McCartney found himself fleshing out some existing musical sketches and creating even more new ones at a time when he wasn’t even planning on new material. Before long, an eclectic collection of spontaneous songs would become ‘McCartney III,’ a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of ‘McCartney’ and ‘McCartney II.’

‘McCartney III’ is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation.

“I was living lockdown life on my farm with my family and I would go to my studio every day,” he says in a statement. “I had to do a little bit of work on some film music and that turned into the opening track and then when it was done, I thought, ‘What will I do next?’”

“I had some stuff I’d worked on over the years but sometimes time would run out and it would be left half-finished, so I started thinking about what I had,” McCartney continues. “Each day I’d start recording with the instrument I wrote the song on and then gradually layer it all up, it was a lot of fun.  It was about making music for yourself rather than making music that has to do a job. So, I just did stuff I fancied doing. I had no idea this would end up as an album.”

Keeping with ‘McCartney’ and ‘McCartney II’s’ photography by Linda McCartney, the principal photos for ‘III’ were shot by Paul’s daughter Mary McCartney—with additional photography by Paul’s nephew Sonny McCartney as well as photos Paul took on his phone. 

 PMC3_Cover_White.jpg

The new 'McCartney' will be available Dec. 11.
Phot courtesy of Michael Christopher

‘McCartney’ and ‘McCartney II’ each saw Paul open up a new decade with reinvention, both personal and musical. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.

 

 

viernes, 23 de octubre de 2020

WILL ‘McCARTNEY III’ BE PAUL McCARTNEY’S LAST ALBUM?

 


 

 ultimateclassicrock.com

WILL ‘MCCARTNEY III’ BE PAUL MCCARTNEY’S LAST ALBUM?

MARTIN KIELTY
Published: October 22, 2020

 

 Kevin Winter, Getty Images

Paul McCartney said he didn’t know he’d been working on his upcoming McCartney III album until he finished it. Named to emphasize the fact that it’s entirely a one-man creation like 1970’s McCartney and 1980’s McCartney II, the third instalment will be released on Dec. 11. The album's full details have not been announced yet.

Asked in a new interview with Loud and Quiet when he realized the nature of his new project, McCartney replied: “Right at the end of it. … I’d just been stockpiling tracks, and I thought, ‘I don’t know what I’m going to do with all of this – I guess I’ll hang onto it.’ And then I thought, ‘Wait a minute, this is a McCartney record,’ because I’d played everything and done it in the same manner as McCartney I and II. That was a little light bulb going off, and I thought, ‘Well, at least that makes a point of explaining what I’ve been doing, unbeknownst to me.’”

McCartney had already noted that the record had come about as a result of having time on his hands during lockdown, and the lack of interruptions was the “common denominator” among all three McCartney LPs.

“After the Beatles broke up, I suddenly had a lot of time and no particular plan in mind,” he said. “And then when Wings broke up it was a similar thing. And with me, when I’ve got a lot of time, my go-to situation is, ‘Well, write and record then – that’s something to do when you’ve got some spare time.’ So, this was similar, but it was the pandemic that stopped things. We were due to go on a European tour this year, but very early on, Italy got the virus, and gradually all of the other gigs, including Glastonbury, which was going to be the culmination of it, got knocked out. So then it was, ‘Okay, well, what am I going to do?’ And that’s my fallback situation: to write and record.”

McCartney also addressed the rumor the new album will be his last. “Everything I do is always supposed to be my last," he said. "When I was 50 – ‘That’s his last tour.’ And it was like, ‘Oh, is it? I don’t think so.’ It’s the rumor mill, but that’s okay. When we did Abbey Road, I was dead, so everything else is a bonus.”

 

martes, 20 de octubre de 2020

Paul McCartney drops major hints that ‘McCartney III’ is on the way

 


 

 www.nme.com

Paul McCartney drops major hints that ‘McCartney III’ is on the way

He's been dropping a series of clues using a set of dice

By Nick Reilly
20th October 2020

 Paul McCartney

 Paul McCartney (Picture: Getty)

 

Paul McCartney has hinted that he is gearing up to release ‘McCartney III’, completing a trilogy of self-titled albums that he started recording before The Beatles split up.

The music icon released ‘McCartney’ in 1970 before following it a decade later with 1980’s ‘McCartney II’. Both albums were recorded at home and featured additional vocals from his late wife Linda.

McCartney fans have started to receive hints that a third release is on the way after a series of surprise animations began to appear on Spotify.

 Imagen

 When users play songs from ‘McCartney’ and ‘McCartney II’ on the Spotify mobile app, they are greeted with an animation of a dice thrown onto the images of the album covers, with three dots facing upwards.

 

 

Over on Reddit , McCartney’s fans also claim to have received a bag printed with his name and containing three dice.

 Imagen

 

 The singer’s social media accounts have now begun teasing the release too, sharing a series of images which were accompanied by three dice emojis.

 

 

 

 

 

 

 

 

 

While specific details on the release are yet to emerge, online zine GodIsInTheTV claims that McCartney recorded the album in lockdown, which would be in keeping with the DIY, homespun aesthetic he utilised on the previous two records.

Speaking to GQ earlier this year, McCartney also confirmed that he had been recording during lockdown.

“I’ve been able to write and get into music, starting songs, finishing songs. I’ve had a few little things to write and it’s given me the time to finish some songs that I hadn’t found the time to get around to,” he said.

It’s also claimed that the domain name mccartneyiii.com was registered in August by CSC Corporate Domains, the company that previously registered paulmccartney.com and flaming-pie.com (for the reissue of Paul’s 1997 album earlier this year).

When visiting the site, fans are met with a ‘303 error notice’ – a cryptic and rather telling spin on the usual 404 error.

As for a release date, it’s rumoured that the record will arrive on December 11. NME has contacted Paul McCartney’s representatives for comment.

 Imagen

 

If the reports are proven to be true, the release will be the follow-up to 2018’s ‘Egypt Station‘ – which marked McCartney’s 17th post-Beatles album,.

In a four-star review of the record, NME wrote: “McCartney’s always been about inclusivity and openness, but this latest glimpse into his life feels like a particularly enlightening one.”

 

 

 

 

jueves, 15 de octubre de 2020

Revisit Paul and Linda McCartney’s glorious appearance on The Simpsons

 


  faroutmagazine.co.uk

Revisit Paul and Linda McCartney’s glorious appearance on The Simpsons

 

 Credit: Fox

On October 15th, 1995, the world watched on as two bastions of pop culture came together when former Beatles man Paul McCartney and his wife, Linda, made a joyous appearance on America’s favourite yellow family show, The Simpsons. Although it may seem like a jovial thing for the couple to do, the episode titled ‘Lisa The Vegetarian’ is all about the theme of vegetarianism which provided Paul and Linda with a platform to discuss the subject in a self-deprecating, humourous fashion to a brand new audience. It spread their message with a smile.

The episode follows Lisa on her path to becoming a vegetarian after she decided she could no longer eat meat after bonding with a lamb at a petting zoo. Her schoolmates and family members ridicule her for her beliefs but, with the help of Apu as well as Paul and Linda McCartney, she commits to vegetarianism. It was a conversation that even in 1995, was barely being given any room to breathe. On The Simpsons, it was the McCartneys who found a platform.

 12 Reasons Lisa Simpson Should Be the First Lady President | Lisa simpson,  Vegetarian quotes, Simpson

‘Lisa The Vegetarian’ would go down as a stone-cold Simpsons classic episode that featured the hilarious ‘You Don’t Win Friends With Salad’ song and Homer’s disbelief that ham, bacon and pork came from the same ‘magical animal’, on top of the McCartney cameo. It would go on to become the deserved recipient of two awards, an Environmental Media Award and a Genesis Award, for highlighting environmental and animal issues, respectively.

At the time the episode was being written, Paul McCartney was the only living member of The Beatles who had never appeared on The Simpsons. John Lennon died before the show was created, but Ringo Starr and George Harrison had guest-starred in 1991 and 1993, respectively with aplomb.

The staff wanted to bring McCartney onto the show and David Mirkin thought ‘Lisa the Vegetarian’ would be an attractive story since McCartney is a vegetarian himself. Macca agreed to appear but requested that Lisa remain a vegetarian for the rest of the series, rather than revert to meat-eating in the next episode.

The staff promised that she would remain a vegetarian, resulting in one of the few permanent character changes made in the show and McCartney has been a stickler to make sure that they stuck to their promise. Mirkin revealed earlier this year in an interview with the Radio Times that every time he bumps into McCartney, “he always checks. And he’s always surrounded by nine or ten lawyers so it’s quite frightening.”

“We were a bit worried that she would be a vegetarian for a week, then Homer would persuade her to eat a hot dog,” McCartney has since told GQ magazine. “The producers of the programme assured us that she would remain that way, and they kept their word,” Macca added.

McCartney’s wife Linda was also asked to appear in the episode and it was an offer she simply couldn’t refuse. She told Entertainment Weekly that the episode was a chance for her and her husband “to spread the vegetarian word to a wider audience”. Following Linda’s tragic death in 1998, The Simpsons dedicated an episode in her memory which executive producer Mike Scully said it “just seemed like the right thing to do. Everyone here was surprised and saddened by her death.”

The fact that the McCartney’s weren’t willing to turn themselves yellow unless it was could spread a message that they truly believed in and devoted large parts of their lives to, speaks highly of their characters. The couple were among the most famous names on the planet at this point and didn’t need the publicity that appearing on The Simpsons provided them with.

This was a compromise which literally had no negative consequences and is still as heartwarming to watch 25 years later.

 

 

 Cracked.com on Twitter: "Paul McCartney's secret message for Simpsons fans.  20 Easter Eggs Hidden on Famous Songs - http://t.co/8OQTfgXkY2  http://t.co/ZAOYVnXZ8b"

 

 

viernes, 9 de octubre de 2020

John Lennon at 80: Paul McCartney talks about bandmate during SiriusXM event

 



tulsaworld.com

John Lennon at 80: Paul McCartney talks about bandmate during SiriusXM event

Jimmie Tramel
Oct 8, 2020

 Beatles New York 1964

John Lennon (center) holds his forehead as 5-year-old Debbie Fyall of London, England, sits on his shoulders at New York’s Central Park in 1964. The other two members of the Beatles in the photograph are Paul McCartney (left) and Ringo Starr. Lennon, who died in 1980, would have celebrated an 80th birthday in 2020
AP file

 

The Beatles Channel on SiriusXM satellite radio is commemorating what would have been John Lennon’s 80th birthday on Friday, Oct. 9, with exclusive programming featuring special guests Paul McCartney, Alec Baldwin, Sean Ono Lennon and others.

Weekend-long programming will feature McCartney reflecting on Lennon in a conversation with Alec Baldwin. The special will air at 10 a.m., 3 p.m. and 8 p.m. Friday on SiriusXM channel 18 and on the SiriusXM app. The special will also air multiple times on The Beatles Channel throughout the weekend and will be available on demand via the SiriusXM app after its debut.

 

Among excerpts from the McCartney-Baldwin chat:

“The three others of us in the group were massive fans of John because he was that kind of guy. He was, I mean, we always used to get asked, ‘Who’s the leader of the group?’ and I’d go, ‘Me,’ and John would go, ‘No, me.’

“I have to admit ... that it was sort of John, just his personality was a leader’s personality. Luckily, it didn’t matter. We were — we all had an equal vote and so it always worked out without worrying about that.”

“It’s lovely to think he would have been 80. And, you know, ... it’s nice to imagine him at 80. I think he would be very literate. I think he would be writing, uh, not necessarily just music because he was starting to get into (writing books).”

 John Lennon's books "In His Own Write" (1964) and "A Spaniard In The Works"  (1965) | John lennon book, John lennon, Lennon

 

“When he met Yoko, she was so different. And the two of them were such a sort of tight little unit that they — she was showing him new things in life and a new kind of life. And John had always had strong women in his life.

“When Yoko came along, she was very influential, and he was very happy to be influenced. It caused a bit of problems with us till we sort of realized that he had every right to do what he was doing because he was in love. And you don’t just do what everyone expects if you’re in love. And he was really sort of mad, keen on her.”

 

Following is a schedule of specialty programming that will air during the weekend:

Sean Ono Lennon Guest DJ: Musician, songwriter, producer and the only child of John Lennon and Yoko Ono, Sean Ono Lennon joins host David Fricke in a two-part series, sharing memories of his dad, along with his favorite John Lennon songs, both with and without The Beatles — part 1, noon Saturday; part 2, 11 p.m. Sunday.

The Ballad Of John And Yoko: 1969: Listen to John and Yoko talk about their lives and thoughts on many topics in their own words from 1969 — 10 p.m. Friday and 9 a.m. Sunday.

Eight Songs A Week, Times Two: Beatles fans are giving John Lennon a special birthday playlist composed of their 16 favorite songs with John on lead vocals — noon Friday, 9 a.m. Saturday, noon Sunday and 11 a.m. Monday.

Imagine Special: Bill Flanagan explores John Lennon’s “Imagine: The Ultimate Collection” in a two-part series. Hear the original masters, alternate versions and interviews with those who were part of the creation of the album — U.S. special, 5 p.m. Saturday; U.K. special, 2 p.m. Sunday.

Magical Lennon Maxi Concert: In honor of Lennon’s birthday, The Beatles Channel has imagined the greatest Lennon concert ever — 8 p.m. Saturday.

Fab Fourum: The Beatles Channel’s weekly live Fab Fourum talk show, hosted by Dennis Elsas and Bill Flanagan, will be dedicated to John on his birthday and feature special guests, as well as phone calls, plus the chance to win an Epiphone guitar and the new “John Lennon: Give Me Some Truth” deluxe edition box set — 6 a.m. Saturday and 5 p.m. Sunday.

Northern Songs: Beatles historian and author Bill Flanagan puts together a themed playlist of hits and rarities by the Fab Four for this weekly audio adventure. This week, it’s all about John Lennon’s songs with The Beatles — 11 p.m. Friday, 6 p.m. Saturday and 5 a.m. Sunday.

Peter Asher: From Me To You: Asher, a musician, host and friend of The Beatles, explores the connection between John Lennon and legendary author Lewis Carroll, plus an “Imagine” set and more — 8 p.m. Thursday, 4 p.m. Saturday, 7 a.m. Sunday and noon Tuesday.

 Dark Horse Radio: In this weekly show dedicated to the music that George Harrison wrote, produced, sang and loved, musician and host Laura Cantrell will explore the relationship between George and John Lennon — 2 p.m. Thursday, 10 p.m. Saturday and 3 p.m. Sunday.

 

 

 

 

 

 

 

 

 

martes, 6 de octubre de 2020

Two Lennon Books, and an Apple CD


 

 beatlesblogger.com

Two Lennon Books, and an Apple CD

by beatlesblogger
Posted on October 6, 2020

 

With COVID-19 restrictions now easing quite a bit in most parts of Australia (sadly still not for our friends in Melbourne, Victoria – we’re thinking of you guys!), some of the previously closed opportunity shops around Sydney are re-opening and getting back to normal.

One near us that’s been completely closed for at least six months has suddenly opened its doors once again, and so a forage there over the weekend turned up a couple of interesting items.

With what would have been John Lennon’s 80th birthday looming large this coming Friday, it was a coincidence that all three of the finds where Lennon-related.

They are two books, We All Shine On – The Stories Behind Every John Lennon Song, 1970-1980 and John Lennon – In My Life.

We All Shine On – The Stories Behind Every John Lennon Song, 1970-1980 is by journalist and author Paul Du Noyer.

 

 

This is an original Australian edition paperback in a large format, dated 1997. It’s a book that’s been published and re-published numerous times over the years. According to Du Noyer’s website, the latest version is from 2020. The book is also available in German, Spanish, Italian and Czech language editions.

The title says it all: it is the track-by-track story of John Lennon’s last ten years, revealed through the music he made.

In fact we already had a revised and updated UK edition of this same title (in a small paperback format from 2010), but this earlier edition has a slightly different layout. Here are some images of what’s inside:

 

 

 

 

 

 

 

 

 The second book is quite a fascinating account from former Lennon friend and personal assistant, Pete Shotton (as told to Nicholas Schaffner):

 

 

 

Pete Shotton’s friendship with John Lennon spanned more than thirty years, from the time they met as children in Liverpool to their last meeting in John’s Dakota apartment building in New York. They grew up together in the leafy Liverpool suburb of Woolton and Pete stayed close right through his friend’s rise to fame, wealth and stardom – not as a hanger-on, but as a trusted buddy or mate whom Lennon valued. He was someone who knew Lennon well and didn’t treat him like a star.

Nicholas Schaffner is an author and acknowledged Beatle expert – probably best known for his book The Beatles Forever. In this book Shotton and Schaffner reveal an insider’s view of many of the key public events in Beatle history, but also the private life of John Lennon throughout his career.

 

 

 

 

 

 

 As you can see, the text is accompanied by many photographs and documents to help tell the story. This book is well worth seeking out if you haven’t got it already. It was first published in 1983. Here’s the rear cover (and yes, it’s a reverse image of the front):

 

 

 Also in amongst the CD’s at the opportunity shop was this Apple recording. The photos are ‘as-found’ as they tell a bit of a story in themselves:

 

 

 

This is John Tavener’s The Whale. Tavener was a young classical composer signed to The Beatles’ Apple label in 1969. And it was John Lennon who was influential in making that happen. From the CD booklet:

“Although it was Ringo Starr who became Tavener’s main contact at Apple and who was responsible for getting The Whale onto disc, it was in fact Lennon – contrary to stories elsewhere – who took the first initiative and provided the composer with an introduction to the company. [They] first met in 1969, at a dinner party in London’s Hereford Square, and they marked the occasion by swapping tapes of their latest works. Lennon brought along his avant-garde experiments with Yoko Ono, whilst Tavener played extracts from his opera Notre Dame Des Fleurs, and the BBC recording of The Whale. On the strength of the opera, Lennon invited Tavener to join Apple, although it was The Whale which eventually sufaced on the label.”

The Whale is based on the the story of Jonah and the Whale, and has been described as both a ‘dramatic cantata’ and a ‘Biblical fantasy’. It is performed by the London Sinfonietta and the London Sinfonietta Chorus, conducted by David Atherton. It was recorded in 1970. This CD edition though came out as part of the Apple Records re-issue program in 1991/1992.

It’s interesting to note that the original purchaser of this disc (her name and address is on a sticker on the back) paid $46.99 Australian for it at the time! That’s US$33.74 by today’s exchange rate, or £26 UK pounds. That’s a lot of money – even today. It would have been a huge amount in 1992. The record store JB Hi Fi (it’s a big Australian music chain store) has put a “JB Hi Fi Special Import Sticker” on the spine of the jewel case.